stonepicnicking_okapi: okapi (okapi)
[personal profile] stonepicnicking_okapi
So I finally made my sticky post with all the puzzles that DW friends recommended during the Snowflake Challenge. So today's prompt is...

Day 21: rebus

A rebus is a pictogram word play. Like this offer of escort.

rebus

May I see you home, my dear?

For housekeeping purposes, here are the past prompts.

3Weeks4Dreamwidth prompts )

And the website/DW comm shout-outs
DAY 21: my Puzzle sticky post: https://stonepicnicking-okapi.dreamwidth.org/606650.html
DAY 20: [community profile] fandomcalendar [for learning about challenges, exchanges, and new comms]
DAY 19: [community profile] kindreadspirits [for vintage horror & ghost stories and all the gayness therein]
DAY 18: [community profile] endings [caption-less postings of the last sentence of works]
DAY 17: [community profile] common_nature [for pretty photos of birds, sunsets, flowers, etc.]
DAY 16: [personal profile] prettygoodword [word-a-day fun]
DAY 15: [community profile] get_knitted [craft comm--one of the best comms on DW]
DAY 14: [community profile] bitesizedcleaning [for cleaning and decluttering]
DAY 13: [community profile] booknook [books & reading, another of DW's best, imo]
DAY 12: xxx
DAY 11: [community profile] 1word1day [more word-a-day goodness]
DAY 10: xxx
DAY 9: [profile] super_effuctive [porn fic promptfest until 31 May]
DAY 8: xxx
DAY 7: [community profile] journalsandplanners [for planners]
DAY 6: [community profile] the_scent_of_lilacs [for Dracula & Nosferatu fandoms]
DAY 5: DW user [personal profile] dine [for interesting news-of-the-day mostly around art, nature, history, cat photos, and other goodies]
DAY 4: [community profile] beautifulmechanical [for music, they've had a great set of challenges for 3Weeks4Dreamwidth]
DAY 3: Sherlock Holmes encyclopedia: https://www.arthur-conan-doyle.com/index.php/Sherlock_Holmes,_Consulting_Detective
DAY 2: poetry: https://poets.org/
DAY 1: random question generator: https://randomwordgenerator.com/question.php

Batman: Sword of Azrael #3

May. 15th, 2025 08:38 pm
iamrman: (Nightbutt)
[personal profile] iamrman posting in [community profile] scans_daily

Writer: Dennis O’Neil

Pencils: Joe Quesada

Inks: Kevin Nowlan


Bruce Wayne, captured by LeHah!


Read more... )

Got an interview

May. 15th, 2025 12:38 pm
conuly: (Default)
[personal profile] conuly
For the job I would like the least, but any job is a job, right? So wish me luck. (Edit: No, nevermind. Dude called me before I left for the interview and kept me on the phone for an hour all to tell me he was certain the commute would not work out. This did not require an hourlong phone call, or, indeed, a phone call of any length at all.)

Also, today is A's birthday, so happy birthday! They will never see this.

*******************


Read more... )
[syndicated profile] reactor_feed

Posted by Vanessa Armstrong

News Victorian Psycho

Maika Monroe Cast as Killer Governess in Victorian Psycho Adaptation

Mary Poppins, but make her a psychokiller.

By

Published on May 15, 2025

Credit: NEON

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[Error: Irreparable invalid markup ('<a [...] h-[15px]">') in entry. Owner must fix manually. Raw contents below.]

<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/maika-monroe-cast-as-killer-governess-in-victorian-psycho-adaptation/">https://reactormag.com/maika-monroe-cast-as-killer-governess-in-victorian-psycho-adaptation/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814378">https://reactormag.com/?p=814378</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/victorian-psycho/" class="inline-block link-no-animation" aria-label="Link to term or tag Victorian Psycho 1"> Victorian Psycho </a> </span> </div> <h2 class="post-hero-title text-h1">Maika Monroe Cast as Killer Governess in <i>Victorian Psycho</i> Adaptation</h2> <div class="prose post-hero-description prose--post-hero">Mary Poppins, but make her a psychokiller.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on May 15, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Credit: NEON</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/maika-monroe-cast-as-killer-governess-in-victorian-psycho-adaptation/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 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7.13489C6.48977 7.57112 6.32524 8.11448 6.32524 8.76499C6.32524 9.32367 6.4209 9.7905 6.61223 10.1655L5.47575 14.964C5.34564 15.4997 5.2959 16.177 5.32651 16.9959C3.74997 16.2994 2.47575 15.2242 1.50381 13.7701C0.531863 12.316 0.0458984 10.6974 0.0458984 8.91423C0.0458984 7.31473 0.440027 5.83962 1.2283 4.48884C2.01657 3.13807 3.08607 2.06857 4.43684 1.2803C5.78761 0.492029 7.26273 0.0979004 8.86223 0.0979004C10.4617 0.0979004 11.9368 0.492029 13.2876 1.2803C14.6384 2.06857 15.7079 3.13999 16.4962 4.49458Z" fill="currentColor" fill-opacity="0.2" /> </svg> </a> </li> <li class="flex"> <a class="flex items-center hover:text-red" href="https://reactormag.com/feed/" target="_blank" title="RSS Feed"> <svg class="w-[17px] h-[17px]" width="18" height="18" viewbox="0 0 18 18" fill="none" xmlns="http://www.w3.org/2000/svg" aria-label="rss feed" role="img" aria-hidden="true"> <g clip-path="url(#clip0_1051_121783)"> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" /> <path d="M2.67871 17.4143C2.12871 17.4143 1.65771 17.2183 1.26571 16.8263C0.873713 16.4343 0.678046 15.9636 0.678713 15.4143C0.678713 14.8643 0.874713 14.3933 1.26671 14.0013C1.65871 13.6093 2.12938 13.4136 2.67871 13.4143C3.22871 13.4143 3.69971 13.6103 4.09171 14.0023C4.48371 14.3943 4.67938 14.865 4.67871 15.4143C4.67871 15.9643 4.48271 16.4353 4.09071 16.8273C3.69871 17.2193 3.22805 17.415 2.67871 17.4143ZM14.6787 17.4143C14.6787 15.481 14.312 13.6683 13.5787 11.9763C12.8454 10.2843 11.841 8.80097 10.5657 7.52631C9.29171 6.25164 7.80871 5.24764 6.11671 4.51431C4.42471 3.78097 2.61205 3.41431 0.678713 3.41431V0.414307C3.02871 0.414307 5.23705 0.860306 7.30371 1.75231C9.37038 2.64431 11.1704 3.85664 12.7037 5.38931C14.237 6.92264 15.4497 8.72264 16.3417 10.7893C17.2337 12.856 17.6794 15.0643 17.6787 17.4143H14.6787ZM8.67871 17.4143C8.67871 15.1976 7.89971 13.31 6.34171 11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img fetchpriority="high" decoding="async" width="740" height="494" src="https://reactormag.com/wp-content/uploads/2024/05/Longlegs-740x494.jpg" class="w-full object-cover" alt="Maika Monroe in Longlegs" srcset="https://reactormag.com/wp-content/uploads/2024/05/Longlegs-740x494.jpg 740w, https://reactormag.com/wp-content/uploads/2024/05/Longlegs-1100x734.jpg 1100w, https://reactormag.com/wp-content/uploads/2024/05/Longlegs-768x512.jpg 768w, https://reactormag.com/wp-content/uploads/2024/05/Longlegs-1536x1025.jpg 1536w, https://reactormag.com/wp-content/uploads/2024/05/Longlegs.jpg 2000w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Credit: NEON</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Maika Monroe, whose recent credits include starring against Nicolas Cage in <em><a href="https://reactormag.com/longlegs-trailer-finally-reveals-the-plot-well-sorta/" target="_blank" rel="noreferrer noopener">Longlegs</a></em> (pictured above), will play a murderous mistress in <em>Victorian Psycho</em>, an adaptation of Virginia Feito’s 2025 novel of the same name.</p> <p>Feito also wrote the script for the adaptation, for which <em><a href="https://www.hollywoodreporter.com/movies/movie-news/maika-monroe-star-horror-victorian-psycho-1236218164/" target="_blank" rel="noreferrer noopener">The Hollywood Reporter</a></em> gave the following synopsis:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Set in 1858, the story centers on a governess named Winifred Notty, hiding her psychopathic tendencies while arriving to work at a remote gothic manor. But as the woman takes care of her charges, staff members begin to inexplicably disappear, and the owners of the estate begin to wonder, too late mind you, if their new governess is serving up a spoonful of sugar with a little arsenic on the side.</p></blockquote></figure> <p>Monroe has replaced Margaret Qualley (<em><a href="https://reactormag.com/the-substance-is-a-different-brand-of-exploitation-film/" target="_blank" rel="noreferrer noopener">The Substance</a></em>) in playing Notty, and joins Thomasin McKenzie (<em>Last Night in Soho, JoJo Rabbit</em>) on the callsheet.</p> <p>“Maika’s intense screen presence has resonated with me over and over again throughout her history of complex performances,” director Zachary Wigon said in a statement. “I’m absolutely thrilled for her to bring her unique style of psychological portraiture to the fascinatingly bizarre Winifred Notty.”</p> <p>Production is set to start this August. No news yet on when the film will make its way to a theater near you.[end-mark]</p> <p>The post <a href="https://reactormag.com/maika-monroe-cast-as-killer-governess-in-victorian-psycho-adaptation/">Maika Monroe Cast as Killer Governess in &lt;i&gt;Victorian Psycho&lt;/i&gt; Adaptation</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/maika-monroe-cast-as-killer-governess-in-victorian-psycho-adaptation/">https://reactormag.com/maika-monroe-cast-as-killer-governess-in-victorian-psycho-adaptation/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814378">https://reactormag.com/?p=814378</a></p>
earthspirits: (Willem)
[personal profile] earthspirits posting in [community profile] historium
Notes: 
- My AU Albin von Franz / Ellen Hutter Nosferatu 2024 series is a non--canonical version of the film.
- For plot purposes, I've revised the depiction of von Franz. While still embodied by Willem Dafoe, my version of the character is now younger, in his thirties.

Title: Of Tarot and Dreams
Fandom: Nosferatu 2024
Characters: Albin Eberhart von Franz, Ellen Hutter, Count Orlok, Original Characters
Pairing: Albin von Franz / Ellen Hutter
Eras: 19th Century / Ancient Egypt
Chapters: 3/3 - Complete.
Rating: Mature 18+ - Erotic content / Consensual lovemaking. 
Warnings: Angst, psychic attacks / psychic violence + some blood / gore. Also discussion of past abuse, some strong language, and arcane rituals.
Word Count: 4,268
Summary:  Unable to return home due to the storm, Ellen spends the night with von Franz. Together, they discover that dreams are sometimes more than they seem, and that love lost will always be found again.
 
 

Puzzles!

May. 15th, 2025 02:38 pm
stonepicnicking_okapi: puzzle (puzzleicon)
[personal profile] stonepicnicking_okapi
I love puzzles! And other DW users do, too. Here are some that have been suggested and/or recommended (in no order):

1. Exit game puzzle

2. Jigsaw puzzles

Physical puzzle brands: Re-marks, Cavallini, Galison with art by Michael Storrings, White Mountain and Ravensburger
Online jigsaw puzzles: https://thejigsawpuzzles.com/

3. Sudoku

Variant sudoku and rat maze sudoku as described on the Cracking the Cryptic Youtube channel: https://www.youtube.com/@CrackingTheCryptic

jigsaw sudokus (with tricky shapes)

3doku

4. The Simon Tatham collection of puzzles, 40 different puzzle games, including a nonogram game [nonogram=picture logic puzzles in which cells in a grid must be colored or left blank according to numbers at the edges of the grid to reveal a hidden picture] called "Pattern", which contains randomly-generated nonogram puzzles from any size that the player wants.

5. Yeardle for history buffs.

6. Waffle, a word game

7. kenken= an arthimatic and logic puzzle where the objective is to fill a grid with digits so that no digit appears more than once in any row or any column. KenKen grids are divided into heavily outlined groups of cells –– often called “cages” –– and the numbers in the cells https://quad.nerdlegame.com/gameof each cage must produce a certain “target” number when combined using a specified mathematical operation (one of addition, subtraction, multiplication or division).

8. Logic puzzles at Griddlers net: https://www.griddlers.net/home

9. Quordle

10. Squaredle

11. Quad nerdle

12. Connections, which is part of the NYTimes family of games: https://www.nytimes.com/crosswords
[syndicated profile] reactor_feed

Posted by Vanessa Armstrong

News The New Boy

Cate Blanchett Faces Spiritual Struggles in The New Boy Trailer

“It’s up to the human, not the religion.”

By

Published on May 15, 2025

Courtesy of Vertical

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/cate-blanchett-faces-spiritual-struggles-in-the-new-boy-trailer/">https://reactormag.com/cate-blanchett-faces-spiritual-struggles-in-the-new-boy-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814362">https://reactormag.com/?p=814362</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/the-new-boy/" class="inline-block link-no-animation" aria-label="Link to term or tag The New Boy 1"> The New Boy </a> </span> </div> <h2 class="post-hero-title text-h1">Cate Blanchett Faces Spiritual Struggles in <i>The New Boy</i> Trailer</h2> <div class="prose post-hero-description prose--post-hero">&#8220;It’s up to the human, not the religion.&#8221;</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on May 15, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Courtesy of Vertical</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/cate-blanchett-faces-spiritual-struggles-in-the-new-boy-trailer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 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11.7513C4.78371 10.1926 2.89605 9.41364 0.678713 9.41431V6.41431C2.21205 6.41431 3.64538 6.70197 4.97871 7.27731C6.31205 7.85264 7.47471 8.63597 8.46671 9.62731C9.45805 10.6186 10.2414 11.781 10.8167 13.1143C11.392 14.4476 11.6794 15.881 11.6787 17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img decoding="async" width="740" height="514" src="https://reactormag.com/wp-content/uploads/2025/05/Still-1-740x514.jpg" class="w-full object-cover" alt="Cate Blanchett as Sister Eileen, Aswan Reid as New Boy" srcset="https://reactormag.com/wp-content/uploads/2025/05/Still-1-740x514.jpg 740w, https://reactormag.com/wp-content/uploads/2025/05/Still-1-1100x763.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/05/Still-1-768x533.jpg 768w, https://reactormag.com/wp-content/uploads/2025/05/Still-1-1536x1066.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/05/Still-1.jpg 2000w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Courtesy of Vertical</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>Australian writer, director, and cinematographer Warwick Thornton (<em>Sweet Country, Samson &amp; Delilah</em>) has a new movie coming called <em>The New Boy</em>. It stars Cate Blanchett (<em>Tár, <a href="https://reactormag.com/thor-ragnarok-is-a-hilarious-blockbuster-about-the-evils-of-imperialism/" target="_blank" rel="noreferrer noopener">Thor: Ragnarok</a>, Borderlands</em>) and newcomer Aswan Reid and, in Thornton’s own words, “is about the extinction of a completely beautiful, sustainable, caring religion by a big bully. A religion that can co-exist with other spiritualities, but Christianity refuses to co-exist with it.”</p> <p>Here’s the official synopsis:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p><em>The New Boy</em> takes place in 1940s Australia at a remote monastery with a mission for Aboriginal children run by a renegade nun, Sister Eileen (Blanchett). A new charge (Reid) is delivered in the dead of night—a boy who appears to have special powers. However, the boy’s Indigenous spiritual life does not mesh with the mission’s Christianity and his mysterious power becomes a threat. Sister Eileen is faced with a choice between the traditions of her faith and the truth embodied in the boy, in this story of spiritual struggle and the cost of survival.<br><br>“New Boys are all around us. They’re children who recognize safety and can adapt to survive in different situations,” said Thornton. “The New Boy is incredibly innocent, he doesn&#8217;t understand this different world but is happy to walk into that world and educate himself in that world, to survive in that world. It’s like any Indigenous person through the last 250 years of colonization. Your lore, your culture and everything has just been completely obliterated to extinction in a strange way. You have to adapt in this new world that is like a plague, like a virus that has completely taken over your life and shut down everything that you&#8217;ve believed in. Humans are able to adapt very quickly to survive in any situation, in any environment, in any landscape. In a strange way, that&#8217;s what the New Boy is. He&#8217;s not judging anybody. He&#8217;s just surviving.”</p></blockquote></figure> <p><em>The New Boy </em>premieres in select theaters on May 23, 2025 and will be available digitally on demand starting May 30.</p> <p>Check out the trailer below.[end-mark]</p> <figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio"><div class="wp-block-embed__wrapper"> <site-embed id="8170"/> </div></figure> <p></p> <p>The post <a href="https://reactormag.com/cate-blanchett-faces-spiritual-struggles-in-the-new-boy-trailer/">Cate Blanchett Faces Spiritual Struggles in &lt;i&gt;The New Boy&lt;/i&gt; Trailer</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/cate-blanchett-faces-spiritual-struggles-in-the-new-boy-trailer/">https://reactormag.com/cate-blanchett-faces-spiritual-struggles-in-the-new-boy-trailer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814362">https://reactormag.com/?p=814362</a></p>
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Posted by Vanessa Armstrong

News Buffy the Vampire Slayer

Buffy Series Casts Star Wars: Skeleton Crew’s Ryan Kiera Armstrong as the New Slayer

Sarah Michelle Gellar shared the video call she made to tell Armstrong the news.

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Published on May 15, 2025

Photo courtesy of Lucasfilm

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<p class="syndicationauthor">Posted by Vanessa Armstrong</p><p class="ljsyndicationlink"><a href="https://reactormag.com/buffy-series-casts-star-wars-skeleton-crews-ryan-kiera-armstrong-as-the-new-slayer/">https://reactormag.com/buffy-series-casts-star-wars-skeleton-crews-ryan-kiera-armstrong-as-the-new-slayer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814370">https://reactormag.com/?p=814370</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/buffy-the-vampire-slayer-2/" class="inline-block link-no-animation" aria-label="Link to term or tag Buffy the Vampire Slayer 1"> Buffy the Vampire Slayer </a> </span> </div> <h2 class="post-hero-title text-h1"><i>Buffy</i> Series Casts <i>Star Wars: Skeleton Crew</i>’s Ryan Kiera Armstrong as the New Slayer</h2> <div class="prose post-hero-description prose--post-hero">Sarah Michelle Gellar shared the video call she made to tell Armstrong the news.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/vanessa-armstrong/" title="Posts by Vanessa Armstrong" class="author url fn" rel="author">Vanessa Armstrong</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on May 15, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Photo courtesy of Lucasfilm</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/buffy-series-casts-star-wars-skeleton-crews-ryan-kiera-armstrong-as-the-new-slayer/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 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src="https://reactormag.com/wp-content/uploads/2025/05/GR-FF-002411-740x492.jpg" class="w-full object-cover" alt="Fern (Ryan Kiera Armstrong) in Lucasfilm’s STAR WARS: SKELETON CREW, exclusively on Disney+" srcset="https://reactormag.com/wp-content/uploads/2025/05/GR-FF-002411-740x492.jpg 740w, https://reactormag.com/wp-content/uploads/2025/05/GR-FF-002411-1100x731.jpg 1100w, https://reactormag.com/wp-content/uploads/2025/05/GR-FF-002411-768x510.jpg 768w, https://reactormag.com/wp-content/uploads/2025/05/GR-FF-002411-1536x1021.jpg 1536w, https://reactormag.com/wp-content/uploads/2025/05/GR-FF-002411.jpg 2000w" sizes="(max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Photo courtesy of Lucasfilm</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The <a href="https://reactormag.com/a-buffy-the-vampire-slayer-sequel-may-be-coming-to-hulu-with-sarah-michelle-gellar/" target="_blank" rel="noreferrer noopener">new <em>Buffy</em> series is moving ahead at Hulu</a>, with Ryan Kiera Armstrong (pictured above as Fern in <em><a href="https://reactormag.com/tag/skeleton-crew-recaps/" target="_blank" rel="noreferrer noopener">Star Wars: Skeleton Crew</a></em>) joining Sarah Michelle Gellar as the new Slayer who will save the world.</p> <p>Gellar broke the news to Armstrong via Zoom, which she then shared on <a href="https://www.instagram.com/p/DJrsKPQuUIY/" target="_blank" rel="noreferrer noopener">her Instagram</a>. The video is super sweet, with Armstrong crying with joy at the end (and Gellar tearing up a bit as well).</p> <p>“From the moment I saw Ryan’s audition, I knew there was only one girl that I wanted by my side,” Gellar wrote on Instagram. “To have that kind of emotional intelligence, and talent, at such a young age is truly a gift. The bonus is that her smile lights up even the darkest room. Welcome to #NewSunnydale #btvs.”</p> <p>We don’t have details on the plot exactly yet, other than that the show will focus on a new generation, with Gellar reportedly appearing in a recurring role as Buffy. Chloé Zhao (<em>Nomadland, Eternals</em>) will direct and produce, with <em>Poker Face </em>alums Nora Zuckerman and Lilla Zuckerman serving as showrunners, writers, and executive producers.</p> <p>“We are so overjoyed to have found this generation’s slayer in Ryan Kiera Armstrong, she absolutely blew us away—there is no question in our mind that she is the chosen one,” Nora Zuckerman and Lilla Zuckerman said in a separate statement.</p> <p>No news yet on when the pilot will film or if the series will be picked up by Hulu for a full-season order.[end-mark]</p> <p>The post <a href="https://reactormag.com/buffy-series-casts-star-wars-skeleton-crews-ryan-kiera-armstrong-as-the-new-slayer/">&lt;i&gt;Buffy&lt;/i&gt; Series Casts &lt;i&gt;Star Wars: Skeleton Crew&lt;/i&gt;’s Ryan Kiera Armstrong as the New Slayer</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/buffy-series-casts-star-wars-skeleton-crews-ryan-kiera-armstrong-as-the-new-slayer/">https://reactormag.com/buffy-series-casts-star-wars-skeleton-crews-ryan-kiera-armstrong-as-the-new-slayer/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814370">https://reactormag.com/?p=814370</a></p>
[syndicated profile] reactor_feed

Posted by Molly Templeton

News atmosphere

Taylor Jenkins Reid’s Atmosphere Will Blast Off With Captain Marvel’s Directors

We’re going to SPACE! In the ’80s!

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Published on May 15, 2025

Author photo: Michael Buckner

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<p class="syndicationauthor">Posted by Molly Templeton</p><p class="ljsyndicationlink"><a href="https://reactormag.com/taylor-jenkins-reids-atmosphere-will-blast-off-with-captain-marvels-directors/">https://reactormag.com/taylor-jenkins-reids-atmosphere-will-blast-off-with-captain-marvels-directors/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814336">https://reactormag.com/?p=814336</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-horizontal"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/articles/news/" class="inline-block link-no-animation" aria-label="Link to term or tag News 0"> News </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/atmosphere/" class="inline-block link-no-animation" aria-label="Link to term or tag atmosphere 1"> atmosphere </a> </span> </div> <h2 class="post-hero-title text-h1">Taylor Jenkins Reid&#8217;s <i>Atmosphere</i> Will Blast Off With <i>Captain Marvel&#8217;</i>s Directors</h2> <div class="prose post-hero-description prose--post-hero">We&#8217;re going to SPACE! In the ’80s!</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/molly-templeton/" title="Posts by Molly Templeton" class="author url fn" rel="author">Molly Templeton</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on May 15, 2025 </p> </div> </div> <div class="post-hero-caption post-hero-caption-vertical [&amp;_a]:link"><p>Author photo: Michael Buckner</p> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/taylor-jenkins-reids-atmosphere-will-blast-off-with-captain-marvels-directors/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg 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17.4143H8.67871Z" fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="586" src="https://reactormag.com/wp-content/uploads/2025/05/TJR-atmosphere-740x586.jpeg" class="w-full object-cover" alt="Taylor Jenkins Reid and the cover for her novel Atmosphere" srcset="https://reactormag.com/wp-content/uploads/2025/05/TJR-atmosphere-740x586.jpeg 740w, https://reactormag.com/wp-content/uploads/2025/05/TJR-atmosphere-1100x872.jpeg 1100w, https://reactormag.com/wp-content/uploads/2025/05/TJR-atmosphere-768x609.jpeg 768w, https://reactormag.com/wp-content/uploads/2025/05/TJR-atmosphere.jpeg 1262w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> <div class="post-hero-caption post-hero-caption-horizontal [&amp;_a]:link"><p>Author photo: Michael Buckner</p> </div> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>The latest novel from bestselling author Taylor Jenkins Reid (<em>Daisy Jones &amp; the Six</em>) doesn&#8217;t hit shelves until June 3rd, but an adaptation has already been announced. As part of Laika&#8217;s move into live-action filmmaking (the studio is mostly known for animation), it&#8217;s producing <em>Atmosphere</em>, Reid&#8217;s new novel about (fictional) women at NASA. And the movie has a pair of directors who have already spent some time in (fictional) space: Anna Boden and Ryan Fleck, who together have directed <em>Captain Marvel</em>, <em>Half Nelson</em>, and, most recently, <em>Freaky Tales</em>. </p> <p>Here&#8217;s the <a href="https://www.penguinrandomhouse.com/books/646858/atmosphere-by-taylor-jenkins-reid/" target="_blank" rel="noreferrer noopener">publisher&#8217;s synopsis</a> for <em>Atmosphere</em>:</p> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>Joan Goodwin has been obsessed with the stars for as long as she can remember. Thoughtful and reserved, Joan is content with her life as a professor of physics and astronomy at Rice University and as aunt to her precocious niece, Frances. That is, until she comes across an advertisement seeking the first women scientists to join NASA’s space shuttle program. Suddenly, Joan burns to be one of the few people to go to space.<br><br>Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston’s Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilot Hank Redmond and scientist John Griffin, who are kind and easygoing even when the stakes are highest; mission specialist Lydia Danes, who has worked too hard to play nice; warmhearted Donna Fitzgerald, who is navigating her own secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer, who can fix any engine and fly any plane.<br><br>As the new astronauts become unlikely friends and prepare for their first flights, Joan finds a passion and a love she never imagined. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe.<br><br>Then, in December of 1984, on mission STS-LR9, it all changes in an instant.<br><br>Fast-paced, thrilling, and emotional, <em>Atmosphere</em> is Taylor Jenkins Reid at her best: transporting readers to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.</p></blockquote></figure> <p>(Please let this not be a <em>Challenger</em> story. I know, the year is slightly off, but &#8230; can we not?)</p> <p><a href="https://deadline.com/2025/05/anna-boden-ryan-fleck-to-direct-atmosphere-laika-1236397976/" target="_blank" rel="noreferrer noopener">Deadline notes that</a>, for the adaptation, Laika will work with Circle M+P, the company that also executive produced <em>Daisy Jones &amp; The Six</em>. Reid herself will also be among the producers. No further details have been announced.[end-mark]</p> <p>The post <a href="https://reactormag.com/taylor-jenkins-reids-atmosphere-will-blast-off-with-captain-marvels-directors/">Taylor Jenkins Reid&#8217;s &lt;i&gt;Atmosphere&lt;/i&gt; Will Blast Off With &lt;i&gt;Captain Marvel&#8217;&lt;/i&gt;s Directors</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/taylor-jenkins-reids-atmosphere-will-blast-off-with-captain-marvels-directors/">https://reactormag.com/taylor-jenkins-reids-atmosphere-will-blast-off-with-captain-marvels-directors/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814336">https://reactormag.com/?p=814336</a></p>

Coming Soon: Pride Bundles 2025

May. 15th, 2025 02:05 pm
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[personal profile] duckprintspress
A graphic on a dark gray background. Text reads "Coming this June. Read Queer Stories! Support Queer Causes! with Duck Prints Press." This is accompanied by a picture of a rainbow heart.

You heard it here first: Duck Prints Press will be returning this June with our third-annual Bundles for Charity drive! We will be supporting Rainbow Railroad again, as voted on by the authors who contributed to the short story bundles, and this year we’ll be offering three bundles, not two!

  • General Imprint Bundle: Princess Antonia del Montari, aka the Accidental Barista by A. L. Heard; The Problem with Wishes by Annabeth Lynch; So Much Braver by boneturtle; Unsafe Haven by Cedar D. McCafferty-Svec; Got You Covered by D. V. Morse; Troubled Trouble by Genevieve Maxwell; Ride On, Shooting Star by J. D. Harlock; A Thousand Hopes, A Thousand Risks by Kelas Lloyd; The Ending Line of Casablanca by Lucy K. R.; Going Dark by Max Jason Peterson; The Waiting Wife by Mikki Madison; The Deadman’s Gambit by Nicola Kapron; The Inscrutable Fate of the ISV Devotion by S. J. Ralston; Best Friends AND… by Tris Lawrence; In Fine Feather by Violet J. Hayes; and The Lighthouse and the Sea by Zel Howland. 16 stories! 222 pages/69,029 words. Price: $21.50 USD. Approximately half of the sales price for the General Imprint Bundle will be donated to Rainbow Railroad!
  • Explicit Imprint Bundle: A Blessing Shared by A. L. Heard; Running Mates by boneturtle; sweet static by Cedar D. McCafferty-Svec; The Benefits of Consequences by Dei Walker; In the Moonlight by E. V. Dean; then, too, at sea by ilgaksu; What Monsters Need by Lyn Weaver; Hold My Reins by Lyonel Loy; The Fated Prince by Mikki Madison; Lust by Nina Waters; Tough Job, Sweet Reward by Samantha M. Piper; Escape by Sanne Burg; Dancing for the King by Terra P. Waters; Just Let Me Lose Control by Tris Lawrence; and This Treatment for Chronic Pain has an Unbelievable Side Effect! by Xianyu Zhou. 15 stories! 248 pages/86,593 words. Price: $24.00 USD. Approximately half of the sales price of the Explicit Imprint Bundle will be donated to Rainbow Railroad!
  • and, debuting for the first time now that we offer artwork to our backers on Patreon – the Art Bundle: Ol’ Reliable by Aaron Kotze; Samhain by Aceriee; I want to be different. by Jagoda Zirebiec; Spark by May Barros; Snow Heart by Max Jason Peterson; april’s sweet showers by radicalhoodie; untitled (Mermaids) by swev.art; and Chrysopoeia by Zel Howland. 8 artworks! Price: $12.75. Approximately a quarter of the sales price of the Art Bundle will be donated to Rainbow Railroad!

Three bundles! Discounted stories! Thirty-two creators! Many different genres! Lots of flavors of queer! A pile of great stories and artwork for buyers, and a heap of funds raised for a wonderful cause! What could be better?

Join us on June 1st, 2025, and help us raise money for Rainbow Railroad this coming Pride month. Follow us on the social media platform of your choice and/or subscribe to our newsletter to make sure you don’t miss out!

Did you know? Most of these stories and artworks are already available to our backers on Patreon! Become a backer today!


The Friday Five for 16 May 2025

May. 15th, 2025 02:07 pm
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[personal profile] anais_pf posting in [community profile] thefridayfive
These questions were suggested by [livejournal.com profile] jacklemon.

1. You're holding a dinner party and can invite three famous people from the past or present; who would they be?

2. You have the opportunity to question someone about something you've always wanted to know and receive a truthful answer; what would your question be?

3. If you could change one thing in your life, what would it be?

4. If you could save other people's lives by completing an act that would lead to your own death, would you do it?

5. Would you commit murder if you knew that you could get away with it?

Copy and paste to your own journal, then reply to this post with a link to your answers. If your journal is private or friends-only, you can post your full answers in the comments below.

If you'd like to suggest questions for a future Friday Five, then do so on DreamWidth or LiveJournal. Old sets that were used have been deleted, so we encourage you to suggest some more!
[syndicated profile] reactor_feed

Posted by Stefan Raets

Excerpts Historical Fantasy

Read an Excerpt From A Far Better Thing by H.G. Parry

I feared this was the best of times; I hoped it could not get any worse.

By

Published on May 15, 2025

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<p class="syndicationauthor">Posted by Stefan Raets</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-a-far-better-thing-by-h-g-parry/">https://reactormag.com/excerpts-a-far-better-thing-by-h-g-parry/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814132">https://reactormag.com/?p=814132</a></p><post-hero class="wp-block-post-hero js-post-hero post-hero post-hero-vertical"> <div class="container container-desktop"> <div class="flex flex-col mx-auto post-hero-container"> <div class="post-hero-content"> <div class="post-hero-tags font-aktiv text-xs tracking-[0.5px] font-medium uppercase"> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/fictions/excerpts/" class="inline-block link-no-animation" aria-label="Link to term or tag Excerpts 0"> Excerpts </a> </span> <span class="mr-3"> <i class="inline-block w-2 h-2 rounded-full mr-[5px] bg-blue"></i> <a href="https://reactormag.com/tag/historical-fantasy/" class="inline-block link-no-animation" aria-label="Link to term or tag Historical Fantasy 1"> Historical Fantasy </a> </span> </div> <h2 class="post-hero-title text-h1">Read an Excerpt From <i>A Far Better Thing</i> by H.G. Parry</h2> <div class="prose post-hero-description prose--post-hero">I feared this was the best of times; I hoped it could not get any worse.</div> <div class="post-hero-wrapper"> <div class="post-hero-inner"> <p class="post-hero-author text-xs font-aktiv uppercase font-medium [&amp;_a]:link-hover">By <a href="https://reactormag.com/author/h-g-parry/" title="Posts by H.G. Parry" class="author url fn" rel="author">H.G. Parry</a></p> <span class="post-hero-symbol relative top-[-2px] hidden tablet:block">|</span> <p class="text-xs uppercase post-hero-publish font-aktiv"> Published on May 15, 2025 </p> </div> </div> <div class="quick-access post-hero-quick-access mt-[17px] tablet:hidden"> <div class="flex gap-[30px] tablet:gap-6"> <a href="https://reactormag.com/excerpts-a-far-better-thing-by-h-g-parry/#comments" class="flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase translate-x-[1px] translate-y-[1px]"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 18 18" aria-label="comment" role="img" aria-hidden="true" aria-labelledby="icon-comment-quick-access-"> <title id="icon-comment-quick-access-">Comment</title> <g fill="none" fill-rule="evenodd"> <path fill="#FFF" fill-rule="nonzero" d="M6.3 18a.9.9 0 0 1-.9-.9v-2.7H1.8A1.8 1.8 0 0 1 0 12.6V1.8A1.8 1.8 0 0 1 1.8 0h14.4A1.8 1.8 0 0 1 18 1.8v10.8a1.8 1.8 0 0 1-1.8 1.8h-5.49l-3.33 3.339a.917.917 0 0 1-.63.261H6.3Z" /> <path stroke="#000" d="M5.9 14.4v-.5H1.8a1.3 1.3 0 0 1-1.3-1.3V1.8A1.3 1.3 0 0 1 1.8.5h14.4a1.3 1.3 0 0 1 1.3 1.3v10.8a1.3 1.3 0 0 1-1.3 1.3h-5.698l-.146.147-3.324 3.333a.417.417 0 0 1-.282.12H6.3a.4.4 0 0 1-.4-.4v-2.7Z" /> </g> </svg> 0 </a> <details class="relative quick-access-details"> <summary class="quick-access-share flex items-center text-sm font-aktiv tracking-[0.6px] font-semibold uppercase"> <svg class="w-[22px] h-[22px] mr-[7px] icon-hover" viewbox="0 0 22 22" aria-label="share" role="img" aria-hidden="true" aria-labelledby="icon-share-new-quick-access-"> <title id="icon-share-new-quick-access-">Share New</title> <g fill="none" fill-rule="evenodd"> <circle cx="11" cy="11" r="11" fill="#FFF" fill-rule="nonzero" /> <circle cx="11" cy="11" r="10.5" stroke="#000" /> <path fill="#FFF" d="M5.993 13.464c.675 0 1.323-.266 1.806-.743l4.11 2.396a2.639 2.639 0 0 0 .368 2.451 2.583 2.583 0 0 0 2.227 1.043 2.59 2.59 0 0 0 2.09-1.3 2.64 2.64 0 0 0 .08-2.477 2.58 2.58 0 0 0-4.292-.54L8.344 11.94c.28-.616.31-1.319.086-1.958l3.952-2.303a2.564 2.564 0 0 0 4.263-.537 2.623 2.623 0 0 0-.078-2.46 2.573 2.573 0 0 0-2.075-1.293 2.566 2.566 0 0 0-2.213 1.033 2.622 2.622 0 0 0-.37 2.433L7.96 9.158a2.573 2.573 0 0 0-4.316.603 2.632 2.632 0 0 0 .172 2.501 2.58 2.58 0 0 0 2.178 1.202Z" /> <path fill="#000" d="M6.936 9.577c.322 0 .631.137.859.383.228.245.355.577.355.924 0 .347-.127.68-.355.925a1.172 1.172 0 0 1-.859.383c-.322 0-.63-.138-.858-.383a1.36 1.36 0 0 1-.356-.925c0-.347.129-.679.356-.924.228-.245.536-.383.858-.383Zm6.17-3.837c.323 0 .631.138.86.383.227.245.355.578.355.924 0 .347-.128.68-.356.925a1.172 1.172 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.924.227-.245.536-.383.858-.383Zm0 7.883c.323 0 .631.138.86.383.227.245.355.578.355.925 0 .346-.128.679-.356.924a1.171 1.171 0 0 1-.858.383c-.322 0-.631-.138-.859-.383a1.36 1.36 0 0 1-.355-.925c0-.346.128-.678.356-.923.227-.245.536-.383.858-.384Zm-6.17-.681c.499 0 .978-.21 1.334-.586l3.036 1.888a2.194 2.194 0 0 0 .272 1.93c.385.555 1.003.863 1.645.822.641-.04 1.221-.425 1.544-1.024a2.203 2.203 0 0 0 .059-1.952c-.286-.62-.841-1.044-1.48-1.13-.637-.085-1.272.18-1.69.705l-2.984-1.854c.207-.486.23-1.04.064-1.543l2.92-1.815c.415.522 1.046.784 1.68.7.633-.086 1.184-.507 1.468-1.123a2.188 2.188 0 0 0-.058-1.938c-.32-.595-.895-.977-1.532-1.018-.638-.041-1.251.264-1.635.813a2.179 2.179 0 0 0-.273 1.917L8.389 9.55c-.423-.534-1.07-.798-1.715-.702-.645.096-1.2.54-1.472 1.177a2.194 2.194 0 0 0 .126 1.97c.352.59.958.948 1.61.947Z" /> </g> </svg> Share </summary> <div class="quick-access-bubble"> <ul class="flex gap-6 text-black list-none"> <li class="flex"> <a class="flex items-center hover:text-red" href="https://twitter.com/intent/tweet?text=Read an Excerpt From &lt;i&gt;A Far Better Thing&lt;/i&gt; by H.G. 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fill="currentColor" fill-opacity="0.2" /> </g> <defs> <clippath id="clip0_1051_121783"> <rect width="17" height="17" fill="white" transform="translate(0.678711 0.414307)" /> </clippath> </defs> </svg> </a> </li> </ul> </div> </details> </div> </div> </div> <div class="post-hero-media "> <figure class="w-full h-auto post-hero-image"> <img loading="lazy" decoding="async" width="740" height="407" src="https://reactormag.com/wp-content/uploads/2025/05/A-Far-Better-Thing-header-740x407.png" class="w-full object-cover" alt="Cover of A Far Better Thing by H.G. Parry." srcset="https://reactormag.com/wp-content/uploads/2025/05/A-Far-Better-Thing-header-740x407.png 740w, https://reactormag.com/wp-content/uploads/2025/05/A-Far-Better-Thing-header-1100x605.png 1100w, https://reactormag.com/wp-content/uploads/2025/05/A-Far-Better-Thing-header-768x422.png 768w, https://reactormag.com/wp-content/uploads/2025/05/A-Far-Better-Thing-header.png 1400w" sizes="auto, (max-width: 740px) 100vw, 740px" /> </figure> </div> </div> </div> </post-hero> <div class="wp-block-more-from-category"> <div> </div> </div> <p>We&#8217;re thrilled to share an excerpt from <em><a href="https://us.macmillan.com/books/9781250334183/afarbetterthing/" target="_blank" rel="noreferrer noopener"><strong>A Far Better Thing</strong></a></em> by H.G. Parry, a heart-rending fantasy of faery revenge set during the French Revolution—out from Tor Books on June 17<sup>th</sup>.</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <figure class="wp-block-pullquote has-text-align-left"><blockquote><p>The faeries stole Sydney Carton as a child, and made him a mortal servant of the Faery Realm. Now, he has a rare opportunity for revenge against the fae and Charles Darnay, the changeling left in his stead.<br><br>It will take magic and cunning—cold iron and Realm silver—to hide his intentions from humans and fae and bring his plans to fruition.<br><br>Shuttling between London and Paris during the Reign of Terror, generations of violence-begetting-violence lead him to a heartbreaking choice in the shadow of the guillotine.</p></blockquote></figure> <hr class="wp-block-separator has-alpha-channel-opacity" /> <div style="height:20px" aria-hidden="true" class="wp-block-spacer"></div> <h3 class="wp-block-heading has-text-align-center">CHAPTER 1</h3> <h3 class="wp-block-heading has-text-align-center">IN WHICH I MEET MY CHANGELING</h3> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p>If you’re very fortunate, all a fairy will ask of you will be to steal a bone from a grave. They need them to grow buildings for the Children’s Quarter in the Realm. Wood, stone, trees—these things, even when brought from the mortal world, will shift with the rest of the Realm when planted into Realm soil. Mortal remains are the only things that stay fixed. It isn’t pleasant, the nightmares will be grotesque, you’ll need a very strong drink afterwards, but it will harm nobody. Depending on how you feel about the comfort of young children snatched from their cradles and raised among fairies, you might even say it will do good.</p> <p>In Shropshire, when I was younger and new to the mortal world, I had no choice but to dig through the graveyards myself in the cold dark of night, shuddering with revulsion as my spade sifted the soil. In London, I was able to arrange things somewhat better. Early in my career I found Jerry Cruncher, who among other disreputable and reputable jobs moonlighted as a resurrectionist. He unearthed and sold corpses to medical students for study, and pocketed a few valuables on the side while he was about it. I surprised him one night as he bundled a corpse onto a cart. In exchange for my silence and a few coins now and then, Cruncher was very happy to bring me old bones from his excursions on request. It kept him out of trouble, and it kept me out of mouldering churchyards. I didn’t even need to drink on those nights, though usually I did anyway.</p> <p>And so it was that in the very early hours of the morning I was to meet my changeling, I was leaning against the iron fence of a graveyard on the edge of London, waiting for a human bone. I didn’t know at the time that I was about to meet my changeling. I didn’t know about Addison Thorne, or Rosemary, or the revolution brewing in France; I didn’t even know about Shadow. I knew only that it was a black, windy night, and the rustle of grass and the whisper of trees overhead was like the protests of the dead. I drew my coat closer about me, and shivered.</p> <p>“Hurry up!” I complained as Cruncher approached from the other side of the fence. “It’s freezing, it’s dark, and I still have work to look over for court tomorrow. What kept you?”</p> <p>“Opportunities, sir, as it were,” Cruncher said cheerfully. Really, I had to admire him. Whatever his faults, which were many and ranged from extreme moral turpitude to lack of personal hygiene, he was relentless in pursuit of opportunity. If I had half his energy, my legal career would have been flourishing. “In the form of a freshly dug grave, not far from here. The students at the hospital like their corpses fresh. Excellent business.”</p> <section class="wp-block-shop-the-book shop-the-book"> <h2 class="shop-the-book-headline">Buy the Book</h2> <div class="shop-the-book-content"> <figure class="shop-the-book-image-desktop image-cover"> <img loading="lazy" decoding="async" width="300" height="460" src="https://reactormag.com/wp-content/uploads/2025/05/A-Far-Better-Thing.jpg" class="attachment-full size-full" alt="A Far Better Thing" /> </figure> <div class="grow shrink basis-0"> <div class="flex items-center"> <figure class="shop-the-book-image-mobile image-cover"> <img loading="lazy" decoding="async" width="300" height="460" src="https://reactormag.com/wp-content/uploads/2025/05/A-Far-Better-Thing.jpg" class="attachment-full size-full" alt="A Far Better Thing" /> </figure> <div class="grow shrink basis-0"> <h3 class="shop-the-book-title text-h3">A Far Better Thing</h3> <p class="shop-the-book-author">H.G. 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Parry</p> </div> </div> <p class="shop-the-book-modal-label">Buy this book from:</p> <ul class="not-prose ebook-links ebook-links-shortcode"><li><a class="btn" target="_blank" href="http://www.amazon.com/exec/obidos/ASIN/B0DDJC6CDJ?tag=tordotcomgeneral-20" data-book-title="A Far Better Thing" data-book-store="Amazon"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Amazon</span></a></li><li><a class="btn" target="_blank" href="https://www.anrdoezrs.net/links/7992675/type/dlg/sid/tordotcomgeneral/https://www.barnesandnoble.com/s/9781250334183" data-book-title="A Far Better Thing" data-book-store="Barnes and Noble"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Barnes and Noble</span></a></li><li><a class="btn" target="_blank" href="http://itunes.apple.com/us/book/isbn9781250334190" data-book-title="A Far Better Thing" data-book-store="iBooks"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">iBooks</span></a></li><li><a class="btn" target="_blank" href="https://www.indiebound.org/book/9781250334183" data-book-title="A Far Better Thing" data-book-store="IndieBound"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">IndieBound</span></a></li><li><a class="btn" target="_blank" href="https://www.target.com/s?searchTerm=9781250334183" data-book-title="A Far Better Thing" data-book-store="Target"><span class="inline-flex items-center button-label text-h6 text-white font-aktiv">Target</span></a></li></ul> </div> </div> </div> </div> </section> <p>“I hope it didn’t delay you in the pursuit of <em>my </em>business. I told you, they need to be collected at the midnight hour. I may not be able to tell, but believe me, those who want them will.”</p> <p>“And so they were.” Cruncher handed over a bundle wrapped in grimy cloth. I unwrapped it with fingers numbed by cold, and by the light of Cruncher’s lantern made out a pale gleam of a shinbone, the curve of a rib. They were very old, as I requested. Another point in Cruncher’s favour: he did what was asked, and asked no questions.</p> <p>“I might be seeing you in that courtroom come daylight,” Cruncher said conversationally, as I wrapped the bones again. “The bank wants someone there to deliver messages. Mr. Lorry’s been called as witness for the prosecution.”</p> <p>“I know.” Of course I did. It was my colleague who would question him, but it was my job to prepare the questions, and I had a good memory for witnesses. Besides, I knew Mr. Lorry: he worked as a clerk at Tellson’s Bank on Fleet Street, where Cruncher acted as a messenger and odd-job man during daylight hours. A small, fussy man of business who suffered from the unfortunate impediment of a kind heart, and who would have been horrified to know exactly how odd some of Cruncher’s jobs were. “Well. I suppose you won’t find the Old Bailey so very different from here. The light will be better, the draughts will be lesser, but otherwise a similar collection of flies and maggots come to feed on human death.”</p> <p>“You’re in a cheerful mood, aren’t you?” Cruncher said. “I always like to see a hanging case. Brings the city together, and if they’re convicted you get some free entertainment up at Tyburn. And this one’s a treason case, in’t it? They might draw and quarter as well.”</p> <p>“It’s my job to <em>stop </em>the prisoner being hanged, drawn, or quartered—though if we succeed, they’ll blame Stryver, not me, fortunately. I’d hate to be so unpopular.”</p> <p>“Not unpopular with me, sir, if you stop the drawing and quartering. It’s hard in the law to spoil a man, in my opinion. It’s hard in it to kill him, but it’s even harder to spoil him.”</p> <p>“No doubt. I suppose there’s not much call for bodies that have already undergone dissection, in your line of work.” I tucked the bundle into my coat. “Well. I’d best be getting home. Thank you, as always, for the terrifying reminder of the depravity of human nature, and for the human remains.”</p> <p>“No bother at all.” Clearly, the potential for a forthcoming execution really had put Cruncher in good spirits, or perhaps it was the extra corpse he’d found. “I’ll see you at the Old Bailey tomorrow, Mr. Carton.”</p> <p>It was the Year of Our Lord 1780. It was a cold, grey March morning; I was a cold, grey legal advocate, twenty-five years old and not yet dead. I feared this was the best of times; I hoped it could not get any worse.</p> <p class="has-text-align-center">* * *</p> <p>As Cruncher observed, I was in a black mood at the graveyard, and the similarities I drew between that location and the Old Bailey were greatly exaggerated. My mood is rarely any lighter, so I stand by them. Here is another, more curious, similarity though: both are beautiful. Much as I complain about the city— and God knows it’s a filthy cesspit—I’m always comforted by the solidity of London, the weight of its towering architecture and green trees and stone-grey sky. The Old Bailey is, confusingly, a new building, rebuilt only five or six years earlier, yet already it has the same reassuring permanence. It’s a stately private fortress that towers over the street, its two wings extended like the arms of a judge begging the crowds to calm down and show some decorum. Pedestrians ebb and flow around it, waves around a great rock. For someone like me, who grew up in a realm that never stayed still one minute to the next, it feels like a promise that some things, at least, will go on forever.</p> <p>I arrived there rather late that morning, weighed down by a load of papers and a concealed shinbone awaiting collection. The air of the courtroom was already thick with voices and excitement, sweat and heat. The audience had paid their money and been boxed into the public gallery behind and above the jury; the judge had taken his seat across the room. Stryver, at the table for the defendant, was looking uneasily at his pocket watch. I took some satisfaction from the frown that crumpled his florid face. It was petty of me, but I’d had a difficult night.</p> <p>Stryver’s brow smoothed when he saw me, though relief made him rather more irritable than less. “You’re late.”</p> <p>“For what?” I reminded him, reasonably. “It’s your trial. I’m not required to be here at all.”</p> <p>“<em>I </em>require you to be here,” Stryver said, which was absolutely true. He looked me up and down. “Are you drunk?”</p> <p>“I am about as drunk as you are personally acquainted with this case.” I shuffled the bundle of papers I’d brought—collectively, they represented about three nights’ work—and slid them across the table to Stryver. “In other words, not enough, but we’ll both have to make do. Here are your notes. Do you want me to read them for you too?”</p> <p>Stryver gave me a pitying look, but made no further comment as he took them up and began, hastily, to skim the first page. He was secure again in his superiority, and had only minutes to learn what he was arguing.</p> <p>In fact, the case was relatively simple. A young Frenchman of five-and-twenty, going by the almost-certainly-false name of Charles Darnay, stood accused of espionage. Allegedly, he had been conveying information regarding the position and preparation of His Majesty’s troops in America between England and France over the last five years. His accuser, an Englishman named John Barsad, had found compromising papers in his desk and turned him in for a reward, naming several others as witnesses: Cruncher’s boss, Mr. Lorry, for one; as well as an elderly doctor and his daughter. It was possible that this Darnay truly was a spy, but I doubted it. I had thoroughly investigated John Barsad, and he just so happened to owe Darnay money. The war with America was going badly—people were looking for someone to blame. A French spy was perfect. And a dead man couldn’t collect his debts.</p> <p>“Your best chance is to discredit the accuser,” I said to Stryver, as he leafed through my handwriting. “Get the gallery to turn on him instead, and the judge might rule in your favour.”</p> <p>“They’re saying he’s a patriot without stain.”</p> <p>I snorted. “Believe me, he’s stained. The usual sordid colours of alehouses and gambling dens, and a few even darker. And he’s the only one who has any evidence on Darnay. Papers detailing English troop movements, supposedly found in Darnay’s desk.”</p> <p>“Written in Darnay’s hand?”</p> <p>“Of course not. But the prosecutor will no doubt argue this only means Darnay was artful in his precautions and therefore all the more obviously guilty.”</p> <p>“Do you not think he did it?” Clearly that particular bite of sarcasm was sharp enough for even Stryver to feel. “Darnay?”</p> <p>“I think he’ll hang for it, in this climate, which amounts to the same thing.”</p> <p>“True enough.” Stryver set the pages down and sat up. “They’re bringing in the prisoner now.” The crowds knew it. The clamour was reaching fever pitch.</p> <p>I had never met the prisoner, Stryver’s client. I’d prepared the brief, as junior advocate, but Stryver didn’t like me to visit the prisoners at Newgate, and I wouldn’t have even if he did. This was Stryver’s arena, and he was welcome to it. My work—the real work—had been done backstage. He would be praised, and I would be left alone, and that was how we each preferred it. My only task for the day was to endure the trial, nudging the flow of questions as much as needed. Then I would slip away to hand off the human bones in my possession, rejoin Stryver at his offices, and then finally, worn out by work and drink, I might be able to sleep. I didn’t care one eyeblink for what the prisoner looked like.</p> <p>Until I glanced up, and I saw that he was my changeling.</p> <p>I felt it before I saw it. My nerves twitched, and my flesh tingled as if at an encroaching storm. I was looking at myself. A far better version of me, of course: all changelings are more beautiful than the human beings they substitute, and in my case that wasn’t hard. The prisoner was well-grown and well-looking, and his dark hair was caught back neatly from a sun-browned face. My lifestyle was conducive to neither growth nor health, and under my lopsided wig my own hair hung limp and unkempt. My face was pale, and for that matter would charitably be called “bony” rather than the “sculptured” that the prisoner’s jawline and cheekbones invited. And my eyes are green-blue flecked with brown, as little like the dark, bottomless blue of a fairy replacement as a marsh is to a clear pool. But he was me. Myself as I could have been.</p> <p>“Silence!” the judge called, and the ambient noise level settled to something below deafening. The courtroom came into focus around me again: the crowds buzzing like flies, the smell of perspiration and the herbs strewn about the place to combat gaol fever, the judge banging his gavel and calling the room to order. For all my shock, I barely missed a beat in settling back and tilting my head to look firmly and disinterestedly at the ceiling. Still, in that beat everything had changed.</p> <p>My changeling. The replacement the fairies left behind when they took me, over twenty years ago, from my cradle. The man who had been living the life that should have been mine. Something was very, very wrong. We were never supposed to meet our changelings; we were never supposed to learn who we once were. Either there had been a very grave oversight in the Realm, or somebody was deliberately breaking the rules. Whichever it was, I would almost certainly have to pay for it.</p> <p>There was no sense in worrying about that now. I was here; he was here; there was nothing that could be done about it. Even the fairies could make no move in such a crowd of people. All I could do was wait, endure, and look at him as little as possible. But knowing there was no sense in worrying never stopped anyone from doing so. Worse yet, I couldn’t stop <em>wondering, </em>as I hadn’t for years.</p> <p>Charles Darnay. I doubted that was his real name, so it wouldn’t have been mine. I had no idea what his life had been before this, and so I could draw no real conclusions about that either. He was French. That meant I had been born in France—that I had been <em>taken </em>in France. I knew France. I had lived in Paris for a time as a student, studying law in the Latin Quarter. Had anything there seemed familiar to me? It must have done. How could some part of me not have <em>remembered</em>?</p> <p>“Looks rather a lot like you, doesn’t he?” Stryver remarked in an undertone, as the attorney-general began his summary of the case. “Considering he’s a Frenchie. He’s not your long-lost brother or something?”</p> <p>“Don’t be ridiculous.” My voice, I was relieved to hear, sounded perfectly normal. “You know I don’t have a brother.”</p> <div style="height:5px" aria-hidden="true" class="wp-block-spacer"></div> <p class="has-sm-font-size">Excerpted from <em>A Far Better Thing</em>, copyright © 2025 by H.G. Parry.</p> <p>The post <a href="https://reactormag.com/excerpts-a-far-better-thing-by-h-g-parry/">Read an Excerpt From &lt;i&gt;A Far Better Thing&lt;/i&gt; by H.G. Parry</a> appeared first on <a href="https://reactormag.com">Reactor</a>.</p><p class="ljsyndicationlink"><a href="https://reactormag.com/excerpts-a-far-better-thing-by-h-g-parry/">https://reactormag.com/excerpts-a-far-better-thing-by-h-g-parry/</a></p><p class="ljsyndicationlink"><a href="https://reactormag.com/?p=814132">https://reactormag.com/?p=814132</a></p>

The Expanse, again

May. 15th, 2025 09:40 am
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I picked up a copy of Leviathan Wakes, the first Expanse novel. My new-found appreciation for Holden carried me through it, but I just can't help wondering, maybe I am supposed to hate Miller and find him an unpleasant stereotype? He's a washed-up policeman with a drinking problem and an unhealthy fixation on a much younger woman he's never met! Oh, and a propensity for violence. At least in novel form I don't have to look at that stupid hat. And at least Holden dislikes Miller too, if not for the reasons I do.

Yet again, though, I am struck by my ability to absorb information in written form vs on TV. Like, it had literally never occurred to me that Protogen names the protomolecule after itself. How did I miss that?

Now working my way through the short story collection, out of order. A lot of the material in here made it into the TV show in one form or another, but not all of it.
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Posted by Christina Orlando

Books Ships in the Night

How Do You Solve a Problem Like Romantasy

By

Published on May 15, 2025

Photo by Theo Crazzolara [via Unsplash]

Photo of an open book with its central pages folded in to form a heart

Photo by Theo Crazzolara [via Unsplash]

A few years ago, I proposed this column to meet a shift in SFF publishing, where the major SFF tradpub imprints—Tor, Orbit, even Harper Voyager—had begun to seem less shy about including kissing, sex, and central romance storylines in their books. The genre crossover already existed in romance, but here came a crop of new books from genre-savvy SFF writers (CJ Polk, Aliette de Bodard, Freya Marske) who happened to be genre-savvy in romance, too. As a fan of both genres, I was thrilled to see SFF finally accepting the joys of cross-contamination.

Then, uh, the landscape changed. Romantasy rode into tradpub on the coat-tails of Sarah J. Maas’s A Court of Thorn and Roses series and Rebecca Yarros’s Empyrean series. Various writers have proposed ways of defining romantasy books, but I tend to ascribe to the Print Run podcast’s assertion that romantasy describes an audience rather than a group of books, which is why attempted genre definitions haven’t worked for me. You kind of know romantasy when you see it. Because of the sprayed edges. And the porn. (This is a joke; please do not yell at me.)

I believe these to be two distinct phenomena, arising from two distinct sets of trends. Thing 1 and Thing 2, if you will. The audiences for these books overlap, to some extent. But they’re not coterminous. What is now, and ever shall be, coterminous is the scope of each and every SFF imprint’s desire to get Sarah J. Maas money for the SFF romances they are publishing. They have all figured out that the path to that outcome, whether their books are Thing 1 or Thing 2 or some blurry place in between, is paved with the word romantasy.

I say that without judgment for anyone’s marketing department. Marketing books is hard. I have great respect for the people who do it well.

As publishers have rushed to capitalize on the success of Thing 2, the SFF section at the bookstore has suddenly gotten packed with titles aimed at audiences other than the usual segment of SFF readership. It’s led to a certain level of, let’s say, bemusement among segments of the SFF reading audience who have less familiarity with (or interest in!) the romance genre. As a lifelong SFF fan myself, but a more recent convert to romance, I thought I’d have a go at finding the point of disconnect.

Speculative fiction is a problem-proposing genre. It proposes problems like How shall we interact with monsters and How shall we navigate time travel, and then it dives in with relish, it gets its hands dirty, it reminds us that we are flawed and messy creatures who can no better answer how shall we travel among the stars than we do, in fact, answer how shall we manage world hunger. Piecemeal. Badly. With a lot of arguing. Maybe the problem will be solved in the end. Maybe in the end the problem will have gotten much much worse. Science fiction and fantasy aren’t making any promises about that.

As a result, SFF readers tend to conceptualize our genre as one that challenges readers to think creatively and in fresh ways about the world we live in and the other worlds that might be possible. I don’t so much disagree with that idea as I worry about the way it gets framed as morally superior to other genres or ways of reading. For one thing, I don’t accept that “being challenged” is the goal everyone should be pursuing every time we pick up a book. For another thing, proposing problems isn’t the same thing as challenging readers to think new and more interesting thoughts—that varies tremendously depending on the author and the reader.

By contrast, romance is primarily a problem-solving genre. The problem is how to sort out these specific characters, how to put them in happy relationships and lives they find fulfilling. Romance doesn’t need to propose the problem, because the problem is already here. How do we exist in relationship with other people? A given romance novel may concern itself with other questions, but the problem animating the plot is that of relationship, and the genre promises the reader that’s one problem that will be solved by the end. The answer is always the same; the answer is infinite variety.

At the risk of repeating myself, I want to emphasize that I don’t consider the pursuit of shared happiness to be a less important question than anything speculative fiction takes up. In romance, I’ve found some of the most nuanced explorations of emotional truth and the complexities of human behavior that I’ve ever seen anywhere. I want to be clear that I’m speaking here about the structure of what each genre is trying to do.

If you’ve read a romantasy that nebulously feels more like romance than SFF, it’s typically because the structure of the Thing 2 books tends more toward the romance side, the problem-solving side. Thea Guanzon’s Hurricane Wars series, for instance (Thing 2), cares most about these two people making it work, which they can’t do if the prince of the evil empire stays evil and the empire stays an empire. He loves her, so we know he’s going to have to start doing less oppression. CL Polk’s Kingston Cycle series (Thing 1) cares most about class injustice in Aeland, so each book in the trilogy builds on the work of the previous books to show us what a more just future for the country can look like (and the characters also kiss. It’s both!). You’re picking up on something real, but at the risk of drawing the wrong conclusion.

To draw the right conclusion, I encourage SFF to take a page from the romance genre’s playbook. For all the genre’s faults, and they are many, romance readers are pretty much always excited to welcome new readers into the genre. The path by which someone comes to romance just doesn’t matter that much. If they’re here, it’s something to celebrate, and Romancelandia has a thousand amazing, smart, diverse book recs to guide them to the best of what our genre has to offer.

I’d love to see speculative fiction taking a similar tack, rather than trying to redraw genre boundaries to keep romantasy outside our gates. We lose nothing by accepting that SFF is expansive enough to include writers and readers who came to the genre by different paths than we did, who arrived via Rebecca Yarros and Ali Hazelwood rather than CS Lewis and Orson Scott Card. Romantasy takes nothing from longtime SFF readers, but it does offer us a bright and golden chance to ensnare new readers in our genre nets.Thrillingly, marketing departments are already doing this (see above), by using the same term to describe Thing 1 and Thing 2. Did I personally dislike The Wren in the Holly Library? Yes. Will that stop me from joyfully telling its fans to read Lady Eve’s Last Con and The Scandalous Letters of V and J? Hell no. It has never benefited SFF to exclude writers like Nalini Singh and Kit Rocha and Alyssa Cole, and it won’t benefit us to exclude this batch of newcomers to our genre either. Whatever you think of the advent of romantasy onto the SFF scene, be assured that it isn’t a problem to be solved. It’s an opportunity.[end-mark]

The post How Do You Solve a Problem Like Romantasy appeared first on Reactor.

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We are now roughly ten days from the deadline (May 25, 11:59 PM US Eastern)! We are offering a three-day extension to anyone who needs one, so if you'd like an extension please feel free to email us at bitesizedfandomsex@gmail.com. The due date for those with extensions will be May 28, 11:59 PM Eastern.

Due date countdown | Treats for pinch hitters




We also have one new pinch hit! PH #15!

These pinch hits assignments are for a complete story of 1,000+ words or a 1 finished art piece as per the requester's medium, in one of the requester's fandoms and featuring at least one of their requested characters or relationships, minding their DNWs.

The due dates for these will be the same as those for initial assignments: May 25 at 11:59 PM US Eastern Time. Please comment or otherwise let us know if you'd like to pick one up (we will need your AO3 username and the number of the pinch hit you're claiming).

Comments on this post are screened if you have any questions or need help! Happy creating!

Treats for pinch hitters




PH 16 - Revenge (1990), Badlands 2005 (1988), Four Assassins (2011) )
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CANON: DC. Superman (2025).
CHARACTERS: Clark Kent | Superman (David Corenswet). Lois Lane (Rachel Brosnahan). Lex Luthor (Nicholas Hoult). Krypto. Various other cast.
ADDITIONAL INFO: 130 Icons from the teaser and official trailer.
CREDIT TO: [community profile] inkonic


HERE @ [community profile] inkonic

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