Recent reading

Jun. 6th, 2026 04:15 pm
troisoiseaux: (reading 11)
[personal profile] troisoiseaux
Finished Famesick by Lena Dunham, which I really.... enjoyed does not feel like the right word, because it is basically a memoir of getting chewed up and spit out by the fame machine at the same time as she was suffering from chronic health issues and struggling with substance abuse and she apparently just has godawful taste in and/or luck with men, but it is an engaging and - despite the heavy content - frequently funny read. Prominently features various celebrities who I'd say I was abstractly aware of as famous people who exist, but I found that this didn't necessarily change my opinion of, say, Jack Antonoff or Adam Driver— like, not in the sense that I don't credit Dunham's narrative, it's just that my brain did not really connect my indignation over Dunham's increasingly selfish/useless boyfriend to that guy from that band, or the coworker who sounds like a walking red flag (but, even in her own memoir a decade later, she seems more enamored with than put off by??) with that guy from that movie, etc. ¯\_(ツ)_/¯ (Mostly, I think, because I didn't really have existing opinions about any of said famous people— I am a long-time enjoyer of both fun. and Bleachers, but I 100% could not pick Antonoff out of a lineup of white guys in hipster glasses.)

Read Operation Heartbreak by Duff Cooper, technically a 1950 fictionalization of WWII's Operation Mincemeat— a deception operation to convince the Nazis that the Allies planned to invade Sardinia, not Sicily, by way of "secret" plans planted via dead British officer washing ashore in Spain; in recent years, the subject of a book, a movie, and a musical— although only the last ~20 pages (of 155) have anything to do with/map onto the story of Operation Mincemeat (which was still classified in 1950, although Cooper apparently learned of it from Churchill as dinner gossip and Ewen Montagu published his own account only a few years later). Instead, it is mostly the very bleak life story of one Captain William "Willie" Maryngton (barely filing the serial numbers off of Mincemeat's faked Major William Martin here), a born and bred soldier with the misfortune of being too young for WWI and too old to be shipped to the front in WWII, who finally achieves his life's goal of seeing "action" only after he dies of pneumonia and is used in a deception operation to convince the Nazis that etc. etc. Can't really put my finger on the tone, beyond bleak— the dialogue frequently has the gung-ho feel of a propaganda film, but I feel like there's kind of a cynical edge, overall? The most interesting character in this is actually Willie's foster brother Horatio "Horry" Osborne, the son of a military family who pursues his dreams of becoming an actor instead, but— after a lifetime of insisting that the Army wasn't "going to get [him] in their clutches"— immediately joins up when WWII breaks out, motivated by his "profound hatred of injustice and cruelty," and is almost as quickly killed in battle. (RIP Horry.)

It's interesting to compare what we know now about IRL Operation Mincemeat to Cooper's fictional Operation Heartbreak: in the novel, Maryngton's death provides the operation with a ready-made cover story, vs. the real-life work that went into carefully constructing an identity, down to the pocket litter. (Although someone does still write a love letter to send off with him: in this case, the secretary who does so is the aforementioned Horry Osborne's younger sister! Who Willie has been in love with for years! And had in fact recently turned down his proposal!) On another interesting note, the afterword on the IRL Operation Mincemeat, written circa 2004, dismisses Glyndwr Michael— the "real" Major Martin, an unhoused man from Wales who died (whether intentionally or accidentally) from poison— as a possible identity for the body used, positing that "a postmortem might have discovered [his real cause of death] and the risk would have been too great." Happy to pass this along to anyone who'd like to read it, btw, otherwise it's going to local little free library.
glitteryv: (Default)
[personal profile] glitteryv
I'm old enough to remember two three distinct points of Calvin Klein (as in the brand itself) being uber-popular: in the 80s when they dropped the Obsession perfume and in the early 90s when they had Kate Moss as one of their main models. Oh, and how CK Be was one of THE main perfumes of the 90s with its branding of being an unisex fragrance as a huge selling point.

Aesthetically, it's been a label whose clothing has never been interesting to me. Even back when CK himself was the head designer. It's lots of clean lines and (almost extreme) minimalism that I've never found exciting.

However, something abt all of that simplicity not only appeals to Jungkook, but also works really well with his aesthtic. He does tend to wear 90% black, loose and/or sporty clothing, and lots of jeans.

One of his first campaigns was this 2023 one which remains my fave. He's v. much WHAT IS GENDER (from the vibes to the haircut to that difficult-to-explain quality that's uniquely Jeon Jungkook's.)




Then, last December, there was this new campaign that I also like a ton (and it's the one that inspired me to do this post!). One of the things I dig is how well it represents current, post-military enlistment!Jungkook: he's an adult who loves riding bikes but also the fluidity of dancing. The song choice get an A+ for good nostalgia vibes. Oh, and all the reds and blacks...




And, ofc, one of the most interesssssssssssssting things abt both of these ads is that everyone decided Jungkook's TIDDIES were an important element of the marketing. J'approve! >:)

P.S.: CK dropped a new campaign featuring Jungkook dancing in a record store. Oh, and Rosie Perez is the store owner? Despite finding it cute, I didn't think it fit with the previous two ads, so I didn't include it.
umadoshi: (books and teacup (sallymn))
[personal profile] umadoshi
Reading: On the fiction front, over the last couple of weeks I read:

--Remember You Will Die (Eden Robins), which is SF told entirely through news and obits and correspondence and does some very neat things. It didn't give me any particular feelings, but I enjoyed it.

--The Adventures of Amina al-Sirafi (Shannon Chakraborty), which is pretty much a delight from start to finish.

--The Book of Love (Kelly Link) unfolds in all kinds of interesting ways and had a lot of...emotional momentum?...for me, although I didn't come away with deep feelings about or attachment to any of the characters.

--The Everlasting (Alix E. Harrow), which I finished a few days ago and have seen several people discussing since (probably because it's up for a Hugo). I liked it more than some of you did, but didn't love it.

I haven't started another novel(la) since. After talking to Kas (who's most of the way through the series-so-far) last weekend, I went ahead and put the second Dungeon Crawler Carl on hold, and somehow my brain seems to think that's what I'm going to read next, which is awkward given that I don't expect it to arrive in the super near future.

On the nonfiction front, I read a bit more of Braiding Sweetgrass, flipped through some gardening books, and started rereading Tamar Adler's An Everlasting Meal: Cooking with Economy and Grace in hard copy (I read it in ebook almost exactly a year ago). I really like the feel and the spirit of this, and it's packed full of information that flows in a way that makes it hard for me to actually retain a lot of said information. I picked up the hard copy from Book Outlet in hopes that having a physical book would give me better odds of actually being able to usefully refer to bit of it.

Watching: Some more of both Justice in the Dark and Witch Hat Atelier.

Growing: Yesterday we acquired and planted five tomato seedlings (and a few other seedlings that still need planting). More on that in another post later, hopefully.
glitteryv: (Default)
[personal profile] glitteryv
One of the FESTA gifts that the Tannies have presented is this video showing the full choreo to "Hooligan". It deffo made me appreciate all of the lines and formations, the way the movements match not only the beats but also the lyrics, and (the most endearing part) how BTS continues to fail at lipsyncing 13 years into their career, heheh..

Trigger warnings: Flashing lights in the background that go on and off throughout the entire 3 minutes. Some zooming in/zooming out camera movements too.

Various

Jun. 6th, 2026 04:24 pm
oursin: Brush the Wandering Hedgehog by the fire (Default)
[personal profile] oursin

At first I thought this was about keeping them as pets ('linked to the pet trade', but I think it's actually about using them as pet food: More than 100,000 live exotic cockroaches have been seized from a commercial breeder in New South Wales in a record-breaking bust linked to the pet trade

***

Things actually not quite working (or likely to work) as touted:

Tesla's Full Self-Driving is so ready for the future that some of the people who trained it reportedly will not get in the car.

“Model collapse” threatens to kill progress on generative AIs: When AI eats its own product, it gets sick. Back in the day I think this sort of thing was known as photocopy syndrome - copies of copies of copies getting more and more degraded?

Mathematical modelling suggests that it is theoretically possible to reduce risk of common diseases using heritable genome editing. Scientists argue that the technology involves considerable risk and uncertain benefits.

***

Not really surprised by this: New study: Most people are not actually worried about trans women in women's bathrooms.

***

Wow. 1935 French case in which a man was acquitted of murder because the man he had shot was 'a well-known “witch” who had caused all sorts of harm'.

The Dying of another Light

Jun. 6th, 2026 11:28 am
selenak: (Buffy by Kathyh)
[personal profile] selenak
Like many, Anthony Stewart Head - ASH, as we often referred to him in our reviews at the time - first came to my fannish attention as Giles in Buffy the Vampire Slayer . There were two more roles that immediately come to my mind when thinking of him - not that I haven't seen him in more, but these are the ones that are staying with me - the villain, Mr. Finch, in the Doctor Who episode School Reunion, and Uther Pendragon in the BBC series Merlin. You could call Uther the anti-Giles in some ways: the father and mentor figure who while loving his children (and being willing to die for them) messes them up in a very Philip Larkin way, absolutely unwilling (most of the time) to accept responsibility for his own deeds and looking for scapegoats instead . And yet charismatic enough to evoke loyalty in many people, and vulnerable enough that one usually pitied Uther even when despising him. Merlin was a show primarily aimed at a young audience, but ASH never gave anything but a three dimensional, complicated performance.

As for Giles. He once said, joking or otherwise, that he originally started out with the persona Hugh Grant embodied in 1990s rom-coms as a basis, and you can see that especially in the early episodes, but it quickly became so much more. Not least because having this particular actor to write for meant that Giles got fleshed out in terms of backstory ("Ripper", and of course ASH's trained voice as a singer was used in later seasons) and participation in the overall narrative beyond delivering exposition. He had both expert comic timing (see also the episodes in which Giles gets to be his teenage self, or ends up transformed into a demon), and a wonderful ability for character drama even without using his voice - I'm m thinking of Giles' expression when it turns out Buffy kept the fact Angel is among the (un)living again from him. Or, to put it as unspoilery as possible, his final scene with Ben in season 6. His mentor scenes with Buffy (and on occasion some of the other Scoobies) could be incredibly tender - the s2 scene in Innocence in which Giles comforts Buffy in the car is one of the most memorable among many memorable Buffy and Giles scenes - and the wry, deadpan wit the writers gave him starting a few episodes in was more than a match for Scooby quippiness. For all this, he was never presented as perfect; in the big s3 episode which will end up with Giles choosing Buffy over the Council, he first starts out by following instructions that include drugging and manipulating a girl who trusts him. Speaking of s3, he could have done more for Faith before her fall, to put it mildly, and I'm with Joyce in her cold fury once she figures out Giles' role in her daughter's life and the fact he not just supported but encouraged Buffy keeping the whole Slayer saga from her. Giles being so very human meant that he didn't always get it right any more than the other characters. But he still was the mentor all of them wanted to have. And most of fandom, too, I dare say.

72 years isn't "young" anymore but in this day and age, it's no longer old, and too soon to die. But any time would have been too soon for this actor who gave me so much fannish joy for many years. Thank you, ASH. Thank you so much!
sovay: (Viktor & Mordecai)
[personal profile] sovay
For six years I did not see [personal profile] ladymondegreen except through a screen, so it was especially lovely to meet them in the bright hot afternoon by Spy Pond and catch up on the respective ways we had managed not to die since last we compared notes, after which it planlessly evolved that we repaired to my parents' house and ended up cooking a suitable dinner with interludes of watering the irises and the alyssum, touring the art in the house with my father, and lying around on the couch. Late in the evening [personal profile] akawil and [personal profile] pecunium came by to collect their spouse and talk programming and rocks with my parents and my mother had to kick all of us out into the night before her natural nocturnal clock ticked over to the point where she woke up. We are resolved to keep not dying so that it need not be another six years before we share a view of the water.
petra: Cartoon of an overexcited airline steward with the text: You're always playing Yellow Car. (Cabin Pressure - Yellow Car)
[personal profile] petra
I hadn't read the credits because, well, I was scared.

Neither my favorite British humorist (deceased) nor my favorite British humorist (living as of this post) contributed to s3 of Good Omens.

I feel a little better, knowing that, about my complete absolution from ever having to give a shit. It's credited to the rat bastard and some people I have never heard of, who may well have done excellent work, but I do not need to care, tra la.

Every time I see "USA 250" merch, I think, in the tones of Roger Allam, "You’re going to meet the King of Liechtenstein wearing a medal you got for being alive in the year 2000!" [citation] And now I don't even feel bad about it.

Dear Mr Finnemore,

I don't know whose choice it was that you didn't return, but thank you, from the bottom of my heart.

- Petra

Me-and-media update

Jun. 6th, 2026 04:56 pm
china_shop: An orange cartoon dog waving, with a blue-green abstract background. (Bingo!)
[personal profile] china_shop
Previous poll reviews
In the Space poll, 44.7% went with Douglas Adams ("that's just peanuts to space"), and the other options were pretty evenly split. Books came second to hugs, 57.4% to 70.2%.

In the Legacy media poll, 82.8% of respondents have a lot of DVDs and access to a DVD or Blu-ray player. Far fewer have cassetts or VHS tapes, and there's only one other person who has Super8/MiniDVD/etc tapes. *high fives* "At this point, it's just a lot of old stuff, help!" garnered 31%. Thank you for your votes! ♥

Reading
A little more Cetaganda (Bujold, narrated by Grover Gardner), and that's all. I haven't even started the little Chinese grammar book I bought for 99 cents. *hides* (It's not that I don't want to; my attention span is currently not conducive to sitting down and doing one thing.)

Kdramas/Cdramas
I finished To My Beloved Thief, which had a slightly draggy ending, but was otherwise a delight. Historical magic realism ftw! It made me want to rewatch the old Hong sisters' version of the Hong Gil-dong story, too (unfortunately, not available in streaming).

Also finished Absolute Value of Romance, which
spoilernavigated between the ending I didn't want (teacher/student romance), and the ending I craved (teacher is gay) to find a slightly unsatisfying middle ground. I don't know if Ga Woo-Su was actually oblivious to Ui-Ju's love confession or just ignoring it to avoid the awkwardness of rejecting her outright, but an unnecessary childhood connection and significant "first snow" moment kind of point to them getting together in the future, when a) that would still be completely inappropriate and jeopardise his teaching career, AND b) Ga Woo-Su has previously shown no sign of interest in her at all (imo). He and Yoon Dong-Ju are obviously boyfriends or pining for each other! Why on earth else would he have reacted so weirdly to being the second lead in Ui-Ju's webnovel? (Which, btw, was wildly inappropriate.) Someone please write me slash for this!! (Note to self: tag this post for Yuletide.)


So now, in solo-watching, I've started episode 1 of Hong Gil Dong on my phone (ie, on my exercise machine), and gone back to The Spirealm (fantasy horror Cdrama) when I'm in front of the TV.

We're still watching Miraculous Brothers (contemporary thriller, time travel) with a friend at a rate of two episodes per week. The central character is a hot mess with no moral compass but somehow likeable enough that I'm engaged, and the mystery built around a cold case is pretty cool. I'd put it in the same category as Glitch and Sisyphus. Hopefully it will delve into the scifi/supernatural aspects more at some point.

Pru came over for some Love Scout, and even with our erratic viewing schedule, it's completely swoony and great. I think once we're done I'm going to zoom through it again by myself.

Andrew and I watched two episodes of The Story of Pearl Girl (Netflix Cdrama), but the acting is too melodramatic for him, and I want some humour in my shows, so I think we're calling it.

Other TV
We're halfway through the first season of Italian drama Blocco 181, which I heard about on [community profile] polyamships. It contains a trope I find super stressful
to wit:leading characters steal drugs from drug dealers, argh,
but the three leads are all really charming. Warning for violence and a ton of drug use.

Finished season 1 of Scottish sitcom Dinosaur, about an autistic woman and her newly engaged sister. It's not laugh-out-loud, but I really like it and am looking forward to season 2.

A bit more Night Train with Wyatt Cenac on Youtube. Vaguely looking around for a new show, preferably English-language.

Audio entertainment
Writing Excuses, Cross Party Lines, and approximately a billion newbie lessons of ChinesePod. (I feel like I'm fiddling while Rome burns, but oh well.)

Writing/making things
This fic is never going to end. I don't even know why I'm writing it anymore. Maybe when we get to [community profile] fan_flashworks' amnesty round I'll get some momentum back? /o\

Life/health/mental state things
Messing around with storage and sorting out stuff. Biking a lot. Battling brain weasels at night. I'm in my mid-fifties, and I don't know what I'm doing with my life. My arms are hanging in there, just.

Language Learning
I've been posting Chinese practice sentences, vocab, and occasional observations to [community profile] china_shops_kjnl; feel free to follow. * The fact that I can parrot phrases from the podcast into Google Translate and it mostly comes out with the right characters/meaning still feels like magic. * I'm not learning enough characters. (I don't really know how to learn them except through Duolingo? Possibly ChinesePod's character course?) * I have little previous exposure to gamificiation, ergo no immunity, so Duolingo had eaten a big chunk of my life -- and would be gobbling more if my arms were up for it. (Stylus has arrived; shorter than I expected, but a vast improvement over fingers. I might get another, full-size one.) But I think the podcasts are better for listening and pronunciation anyway.

Goals
1. Sort out my stuff. Throw some of it away. (Do I want to start in on my books/DVDs? /o\)
2. Learn enough Chinese characters that I can read a graded reader.
3. Get started on the project of replacing my ancient gas oven with an induction hob/electric one.

Good things
Making sentences in a new language is really satisfying, and I love noticing grammar patterns and looking them up to see how they work. Podcasts generally. TV-watching-with friends. Walk in the bird sanctuary in the not-quite-rain. Good biking weather forecast for this week. Guardian and the Dreamwidth corner of Guardian fandom. *loves*

Poll #34692 Reading speed
Open to: Registered Users, detailed results viewable to: All, participants: 32


I estimate my fiction reading speed as

View Answers

faster than average
16 (50.0%)

average
7 (21.9%)

slower than average
3 (9.4%)

it would be faster if my so-called attention span didn't keep dropping out
6 (18.8%)

depends on the language (I read fluently in more than one language)
5 (15.6%)

other
1 (3.1%)

ticky-box of 我喜欢在家里休息 (I like to rest at home)
13 (40.6%)

ticky-box full of ever more elaborate breakfasts
9 (28.1%)

ticky-box of a raindrop sliding down a glossy green leaf
15 (46.9%)

ticky-box full of stripes waiting for a cat
11 (34.4%)

ticky-box full of hugs
20 (62.5%)

[syndicated profile] acoup_feed

Posted by Bret Devereaux

This week I want to try something a little different. Rather than taking apart a particular fantasy military system, I thought I might try to lay out a more general sense of how military systems tend to map on to societies, both because such general historical frameworks are handy for thinking about the past, but also because they make useful rules of thumb for imagining fantastical societies. So essentially here we are asking: how do societies end up with the sort of armies they have?

This is going to take a few posts to get through because there are actually quite a few key components to cover: the why and how of recruitment (both ‘why do these people feel obligated to serve’ and ‘how do you get them into the army’), how a society pay for that (or doesn’t), who leads it and how, and how once formed any army coheres in the field. Finally, we’ll wrap up with some historical ‘archetypes’ to show how these different facets link together with the underlying civilian society and also how that shapes what they look like on the battlefield (including weapons and tactics).

This series is also going to be a bit unusual because in some ways its purpose is to link up and summarize a bunch of other posts. We’ve had a lot of posts and series over the years which examined this or that historical or fictional military and discussed the ways in which their militaries reflected civilian society and I wanted to pull a lot of that together in one place. As a result in this series – more than most – the links are going to be ‘load bearing.’ Likewise a lot of the heavy bibliography here is going to live in the links, although I think for someone looking to get a handle on how pre-modern societies and pre-modern militaries come together, the two key readings I would suggest are P. Crone, Pre-Industrial Societies: Anatomy of the Pre-Modern World (1989) and then J. Landers, The Field and the Forge: Population, Production and Power in the Pre-Industrial West (2003). Also well worth reading as an overview is Azar Gat, War in Human Civilization (2006).

Now we’re going to restrict ourselves a bit here in that we are going to stick to pre-modern or more correctly pre-industrial armies. The rules change a lot for industrial and post-industrial armies, though by the same token we really don’t have nearly the same range of examples for industrial armies either: we really have a single dominant model for industrial armies that emerged in Europe from 1914 to 1945 and then a bunch of reactions to that model (along with what we might term an industrial ‘transitional’ period from ~1800 to 1914). It is thus hard to build a complete typology, because the industrial sample size is so small.

By contrast, the sample for pre-industrial agrarian armies is really big, so it becomes a bit easier to spot recurring patterns of organization and structure as different societies stumble on to the same solutions for generating force. So that’s what we’re going to do this week: look at some of the patterns, keeping in mind that these are general rules with many complications and exceptions. In the process, we’re going to pull together a lot of the individual discussions of specific systems – historical and fantastical – as examples.

Fans of fictional worlds will have often run into the most egregious examples of the failure to think in these terms. Professional or seemingly professional armies employed by societies that lack the administrative structure to manage them, armies that are too large or too small for their parent societies, ‘guards’ that seem to spring out of holes in the ground rather than organically fit into society anywhere and so on.

But first, as always, recruiting and maintaining large pre-modern armies is expensive! Much like many of those pre-modern armies, this project is supported by devolving the costs of my ruinous book-buying habit on to recruits readers. You can help by spreading the word to new readers and by supporting this project over at Patreon. If you want updates whenever a new post appears or want to hear my more bite-sized musings on history, security affairs and current events, you can follow me on Bluesky (@bretdevereaux.bsky.social). I am also active on Threads (bretdevereaux) and maintain a de minimis presence on Twitter (@bretdevereaux).

Armies and Societies

I have written this maxim a few different ways, but it is worth writing again: no army can help but recreate its civilian social structures on the battlefield.

When analyzing a historical army or creating a fictional one, everything must begin with that idea, that military systems grow out of and reflect their ‘civilian’ societies or – for societies that lack civilians as such – reflect the civilian side of the lives of their members. That means that armies tend to recreate civilian hierarchies, with similar – often identical – lines of status between the two.

So to understand what kind of military our society might come up with, we first need to ask some key questions about the civilian society.

First: is this society agrarian? Which is to say, are they farmers? In most cases, the answer will be yes because with only a handful of exceptions, if they’re not farmers you’re not going to have cities or states and most settings have those. That said, if your society consists of nomads – either hunter-gatherers or pastoral nomads – they aren’t going to have a state (which is a creature of the agrarian world) and so you want to think about non-state forms of military organization, which is going to channel them towards some specific solutions to our problems below.

Next: is this a state? Is military force in this society collected into a single political entity or is it fragmented among many different centers of power? One odd choice I see in a lot of fantasy settings is to have huge, sprawling cities with non-state systems of organization (power informally divided among a bunch of different groups that all wield force), but that’s not a pattern we see often historically. Instead, the more urban a society is, the more likely it is that military power is concentrated into a single political entity – the state. At the same time, non-state polities may lack a single political entity with a monopoly on the use of force, but that doesn’t mean they lack a military system, it just means that power is fragmented in that system.

Third: what kind of aristocracy does this society have? Every society has a socio-economic elite, but there are different kinds. Does aristocratic wealth mostly flow upwards from large landholdings or flow downwards from employment in a royal bureaucracy (the former is much more common)? Likewise, to what degree does this society have a bureaucracy as such and how much power does it wield? It can be easy to assume modern bureaucratic administrative structures, but these are rare in pre-modern societies: power is often wielded by local grandees than by employed representatives of the state and if the power is wielded by those grandees, the military system is likely to run through them to some extent as well as well.

Your aristocrats are going to assume that – since they lead society in peace – they lead society in war, but how they do so depends on their self-conception. Here, I distinguish sometimes between military aristocrats – aristocracies who understand their primary purpose is warfare generally (often leadership), as distinct from religious or bureaucracy aristocracies that might be of a non-military character – and warrior aristocrats, who understand their primary purpose in society as personally fighting in a specific way (usually but not always mounted).

Note that while warrior aristocrats’ legitimacy in claiming aristocratic status comes from their personal practice of violence, the source of their power is almost invariably wealth from large landholdings: they’re not aristocrats because they’re good at fighting. Instead, they’re aristocrats because they’re rich and then to justify the wealth and power they wield, they practice a certain form of direct, personal kind of warfare. A guy who is really good at fighting but is poor and without title is not a knight; a guy who has wealth and title but is terrible at fighting is a bad knight, but a knight nonetheless. Warrior-elites are thus elites-who-are-warriors, not necessarily warriors-who-are-elite-at-war, though since their social class places a lot of emphasis at being good at fighting, they’re often very good at fighting (in a specific way, again, usually but not always mounted).

Fourth: how do the regular farmers (who are 90+% of the population) connect to the aristocracy? Are they mostly free-holders who own their own land, but are economically dependent on the Big Man? Or does the local Big Man – that is, the aristocrat who is nearest them – own their land itself? Or does the king (or state, in some other form; it might be a temple!) own their land, in which case the aristocrat they engage with is an administrator rather than a land-owner?

For the aristocracy to exist (and for the state to exist, if it does), it has to be siphoning agricultural production from these smaller farmers, so consider how that happens as well. Aristocrats collect rents on the lands they own or control. The state may collect taxes, but in many pre-modern states, royal revenues are dominated by the lands the king owns rather than taxes. Naturally, if taxes are being collected, that implies some kind of bureaucracy collecting them, which non-state societies may not have and which may be underdeveloped in weak-state societies.

What we’re trying to get with all of these questions is thinking about how the peasantry and the aristocracy relate to each other and how that relationship is understood and justified. Those questions are important because civil society comes first – armies are built out of existing subsistence systems and social structures, not usually the other way around – and because the structure of a society limits the possible military systems it can house.

Recruitment Principles

Once we have a sense of our civilian society, the next thing we need to think about is how do we get recruits?

Landers (op. cit.) breaks down recruitment systems based on the principle they function on, distinguishing between general compulsion (conscription by force, levies), the entitlement principle (service as the flip-side of the coin for some set of rights or status), the vocational principle (standing armies or military aristocracies that served because that was their role in society) or devolution (devolve the problem downward onto vassals, communities or households). That’s a useful framework, but I want to shift it around somewhat for our purposes, because I want to separate clearly why the recruits fight from how you get them (and because I think ‘general compulsion’ is actually not the most useful category here).

So we can start with what I am going to call the recruitment principle (as distinct from the recruitment method), which is the why of your recruitment: why do these fellows feel like they must or ought to serve. A lot of historical fiction or fantasy settings fail to address this particular question or else answer it with a very crude ‘because they have to’ (that is, compulsion) but that’s not usually how this works. After all, this society is about to give these fellows weapons, so without some broader social structure that encourages or constrains them to remind at the standard, there is very little preventing them from deserting or revolting. Compulsion can get me into the ranks, but it struggles to keep them there.

The first place most modern folks’ mind goes, of course, is to pattern this task off of their own jobs and so to assume that these fellows are under arms because they are paid to be, which I am going to term the employment principle (separate from the vocational principle). We may sum it up with, “recruits show up purely as an economic transaction: service for money” – it’s a job. These may be foreign troops (in which case they’re mercenaries) or domestic troops, but the key thing here is that the bond which holds them to the army is monetary: they get paid.

The problem is this is not actually the most common recruitment principle. Indeed, while many armies may employ mercenaries as auxiliary troops or maintain some small standing employment-based component (like non-noble professional retainers, for instance), it is fairly rare for pre-modern armies to function purely ‘as a job.’ The exceptions are professional armies, but professional armies are the exception, not the rule: the later Han dynasty, the Roman Empire (but not the Republic) and early modern Europe feature professional armies, but otherwise these are uncommon. Crucially – and we’ll come back to this as we move along – professional armies require a strong state with a capable bureaucracy and extensive revenues, because the state is taking on the whole administrative and financial burden of maintaining the army. Early modern European states famously struggled horribly under those burdens, while the Roman Army of the imperial period consumed well over half of the state’s budget.

Note that warriors and soldiers recruited by other principles might also get paid (although often not as much), the difference is that there is some other social connection that is underlying their recruitment.

Instead, it is more common that the core of military forces in pre-modern societies arise out of three basic sets of principles (two of which I am borrowing from Landers): the entitlement principle, the vocational principle and what I am going to call the clientage principle. All three share an element in that what ties an individual to recruitment is who they are which in pre-modern societies that are generally extremely low social-mobility societies, is almost invariably a product of what family they were born into.

In entitlement principle recruiting, liability for military service is an expectation that corresponds to a set of social rights and privileges, most often citizenship. Note that we’re not talking about citizenship as a reward for service, but rather service as a requirement of citizens. Naturally, for an entitlement system like this to really function, there needs to be some socially valuable position, with connected rights and privileges, available for common folk (we’ll talk about aristocrats in a second). That tends to make entitlement principle service a creature of smaller citizenship-based communities: A Greek polis recruiting hoplites, the Roman Republic recruiting its legions, or medieval town and commune governments establishing a service requirements amongst the townfolk (the burghers), whose citizenship in the town marks them apart from the regular peasantry.

Via the British Museum (1837,0609.74), an Attic kylix (c. 500BC) showing a hoplite donning his armor (in this case for a race, the hoplitodromia, a race in hoplite armor). Note that these young men have their own equipment they are using here, because purchasing it was an expected part of being a well-to-do citizen.

The great advantage of entitlement principle systems is that, because social status and military service are tightly interconnected, getting soldiers to muster and keeping them in the ranks is relatively easier. Think about a Roman citizen soldier in the Middle Republic: if he deserts, where does he even desert to – his hometown where everyone knows he’s supposed to be with the army and where he and his family’s entire social identity is tied up with his liability for military service? The system creates really strong social pressures that make this easier.

The limitation of such systems is that they require that entitlement in the first place and that entitlement almost always comes with the expectation of a political voice through some kind of voting or communal consensus decision-making. That may not sound like a tradeoff to you, but it certainly is to the elites of this society: to recruit on this basis they have to cede power to the commons to some degree in order to create the political entitlement worth fighting for. In practice, it should be noted, the systems don’t generally seem to form that way: they are not grants from the aristocracy to the commons (‘fight for me and I’ll let you vote!’) but rather concessions wrested from the aristocracy by the commons through collective action (‘let us vote or we won’t fight!’), which then acquire the heavy reinforcement of becoming the traditional rights and privileges of the citizenry.

Via Wikipedia, Banquet of Members of Amsterdam’s Crossbow Civic Guard (1533) by Cornelis Anthonisz, showing an Amsterdam crossbow guild. These guilds were, in effect, a voluntary civic militia which supported the town government and provided a defensive military presence. They too are an entitlement system: the Schuttersgilde (‘schooter’s guild’), composed of well-off burghers, were the same sorts of men who ran the town government and indeed guild membership was often a necessary stepping stone to political office. You could thus get these men to defend the town government because they were the town government, in a corporate sense.
For more on these voluntary shooter’s guilds, see L. Crombie, Archery and Crossbow Guilds in Medieval Flanders, 1300-1500 (2016).
As an aside, this is one case where the fantasy-style ‘large city with fragmented internal power structures’ that one sees frequently in high fantasy RPGs (thinking places like Baldur’s Gate or Defiance Bay), though notably in the low countries, these guilds were subject to a higher political authority, be it a town government or a noble.

The next option is what we can call (following Landers) the vocational principle, which also connects service to who you are, but rather than connecting it to your place in a political order, it connects service to a place in the broader social order: the vocational principle is one in which a certain class of people fight because they are the warrior class, typically because you were born into the warrior class.

The vocational principle can come in two forms. First, in many non-agrarian, (hunter-gatherer or pastoral nomads (like Steppe nomads)), or relatively less complex ‘horticultural‘ societies, it is often the case that the entire free adult male population is part of the ‘warrior class.’ These are, after all, generally very small clan- or tribal-based societies with a lot less social stratification so ‘everybody’ (that is, all free adult males) fights. For men, participating in communal warfare is a core component to belonging to the tribe, camp, clan or village.

Via Wikipedia, warriors of the Dani people from the central highlands of western Papua New Guinea. At least until large-scale warfare among the Dani was largely discontinued in the late 1960s, this was the sort of early agricultural society in which functionally all adult males were warriors. Towards the end, we’re going to come back to the kind of ‘first system warfare’ these societies tend to engage in, because it is a mistake to assume that the somewhat ritualistic set-piece battles are the whole of it.

The mistake one sees in a lot of speculative fiction (and also certain reactionary political movements) is assuming that this sort of ‘everyone is a warrior’ social structure can be transplanted to more complex societies with greater degrees of specialization. The reductio ad absurdum of this are some portrayals of Star Trek’s Klingons: an entire post-industrial multi-planet empire that can design starships (and so must be hyper-specialized) but where also somehow everyone is a warrior trained in close-combat weapons. Real societies do not train their starship designers (or their blacksmiths) to also be master swordsmen because that isn’t worth anyone‘s time.1 But they pretty clearly can’t: the moment a society begins specializing its labor (required to achieve high population densities), ‘fighting’ becomes to one degree or another a specialized role too.

The thing is, as we’ve discussed, while non-specialized ‘all warrior’ societies can sometimes overwhelm highly specialized agrarian societies by and large since the advent of farming the most resource-rich parts of the world have been dominated by complex, stratified and specialized agrarian societies, because of their higher population densities – pre-modern agrarian societies can get into the 30-70 people per square mile range, compared to something like 0.5 person per square mile for hunter-gatherers outside of very resource rich zones and something like around 2-5 per square mile for nomadic pastoralists. It usually doesn’t matter if everyone in your tribe is trained to be a warrior if those farmers over there can triple your numbers by mobilizing just 10% of their peasants. There are exceptions, of course, but they’re rare.

Instead in more specialized societies we see the second form of the vocational principle: a warrior class in which a distinct specialized class in society are warriors (or military leaders), usually by birth (because, again, these are low social mobility societies). In essence, this is a case where in the more complex society, just as ‘farmer’ and ‘blacksmith’ and so on have become both specialized jobs and also basically hereditary classes (because who is picking ‘subsistence farmer’ if ‘pampered noble’ is an option?), ‘warrior’ becomes just one more specialist social class, defined largely by heredity.

Via WIkipedia, a detail of the Bayeux Tapestry depicting William of Normandy’s army departing for England prior to the Battle of Hastings (1066). Note that we have our vocational warrior aristocrats on horseback with their retainers following carrying their weapons and supplies. These two groups are not recruited the same way, nor do they fight for the same reasons – a single army may use (and indeed, for pre-modern armies, usually does!) multiple recruitment principles for different troops.

That can take a number of forms, the most common of which is the military aristocracy. The aristocracy – or some part of it (there may be a parallel civic or religious aristocracy) – has as its justification for its existence that it is the part of society that fights or at least that specializes in warfare. These fellows are aristocrats, to be clear, because they’re rich, not because the fight well – but to be a member of the aristocratic class in good standing with the disproportionate access to prestige and resources that implies also requires being a military specialist and so they develop those skills and are available for privileged military positions (like cavalry or command). We’ll get into, in a later part of this series, the differences between warrior aristocracies and what I’m going to call officer aristocracies (does the noble primarily fight or lead?).

That said, this category also includes some other ways of structuring a military vocation for a society. One we’ve discussed only a little bit are military slaves (like the Mamluks)- a low status class of vocational warriors, though these fellows have a habit of not remaining low-status or slaves for very long, because – of course – they have weapons.

Alternately, conquering empires might seek to create a vocational military class by putting soldiers on plots of land (complete with laborers) in the expectation that they and their children will remain liable for an elite kind of military service. These we call military settlers and they are usually a feature of a regime moving in – societies usually do not impose military settlers on themselves. The ‘Macedonians’ in Hellenistic kingdoms make for a good example of this, as do Arab garrison cities in the Rashidun Caliphate. For ‘everyone is a warrior’ societies that do end up overrunning larger, more complex agrarian societies, this is often what happens: the tribal ethnic group becomes a military aristocracy settled as overlords over the resource rich land of the conquered.

Finally, we have clientage principle recruitment, where the recruiting principle is that the men being pulled into the ranks are – in their civilian society – dependents of the fellows recruiting them. In this case military service is part of the obligations of the dependent towards their superior. That may seem strange in some cases – as a condition of giving the local Big Man a chunk of your food, you also sometimes have to fight for him? – but its important to remember that these societies do not see the exchange that way. Instead, they’d frame it that, as a condition of having the Big Man’s protection and being able to farm his land, you give him a chunk of the produce and are also expected to fight for him. It’s important to remember that these principles for recruitment are not laws about the physical universe, but fundamentally questions of psychology and culture: if the entire culture agrees that the land belongs to the lord or the king or the temple and you are paying (in a way) for the privilege of farming it, then that is the reality for all concerned.

Dependents here can come in a few varieties. The highest status such dependents might be retainers, men maintained in an aristocrats household as full time ‘muscle.’ While these fellows might be paid mercenaries, in a lot of societies they’re not getting paid in cash but rather in status and a living: they get to live as part of the Big Man’s household, they get their food and other necessities and they’re a more important person than the peasantry. Crucially, retainers of this sort are not ‘free agents’ to the highest bidder, but often tightly bound by formal ties (clientage, hospitality, familial bonds, homage and so on) to a specific aristocrat.

Below that, a Big Man might expect that as part of the unequal reciprocal exchange of clientage, his clients – the poor farmers around him – might owe him support which would include following his lead in warfare. At the same time, as we’ll see, we can flip this sort of thinking around and say that for the community, the Big Man forms a natural leader around which the community, if it is under threat, can rally (and the flipside of that, the Big Man is probably a vocational warrior, as above). Finally, the dependents here might be some form of non-free persons – not usually slaves, but rather tenants or serfs. Often the package of obligations these folks owed their overlord included corvée labor of some sort, so military service as such an obligation makes some sense.

We can see these sorts of systems at work with the Carolingian general and select levies or the Anglo-Saxon fyrd. In both the Carolingian and Anglo-Saxon system, there was a ‘general levy’ of all free men called up as a local defense militia, but households were also brigaded together and required collectively to furnish a man for the select levy to provide a standing or expeditionary force. It is striking how these systems required the active participation of local magnates in order to act as focal points for organization and leadership. As a result, these systems tend to be fundamentally local: while the king has the authority to call up a whole bunch of regional select-levies or fyrds to make up a field army, in practice these are local units, not a ‘national’ conscription system. Notably, Charlemagne’s effort to impose a royal bureaucracy on the Carolingian levy using royal officials (the missi, ‘those having been sent [by the king]’) emerges as a kind of last-gasp effort to keep this system running as it comes apart and never quite works as a centralized system.

That said, this sort of system could be centralized and extended to form a ‘national’ conscription system, with the example that springs to mind being the early Han dynasty (202BC-220AD) military system in China, which emerged out of the mass conscription systems of the Warring States period, where very large armies were raised for specific campaigns against peer competitor states. Notably, as the Han dynasty’s primary security challenges lay with holding frontiers (the Qin dynasty having already removed all of the peer competitors before being replaced by the Han), the Han system steadily transformed into a professional standing army composed of a mix of paid professionals and military settlers. That said – and we’ll come right back to this next week – mass conscription requires record-keeping, bureaucracy and state centralization that relatively few pre-modern polities have. Still it certainly is possible to have a society with at least the notion that the common peasant is simply obligated to perform some amount of military service.

Putting Society and Principle Together

So to recap, we can list our recruitment principles with a very rough sense of how common they are and where:

  • The Employment Principle (because they get paid): frequently used to supplement armies that have a core recruited another way but only rarely the main recruitment principle. Where it is used as such (professional armies), it requires a strong state with a lot of revenue and state capacity. Examples: Imperial Rome, the later Han Dynasty, some early modern European armies.
  • The Entitlement Principle (because it is the converse of some set of rights these fellows have): common for city-states or other sorts of republics, but requires having a legal/political status like citizenship which is valuable enough to fight for. Troops recruited on this principle can be expected to basically recruit and arm themselves in many cases, but they’re ‘paid’ in political rights as much as cash. Examples: The Roman Republic, Greek polis-armies, medieval town militias.
  • The Vocational Principle (because it is their social role/class):
    • All-Warrior Society (every free adult male is a warrior): common in largely non-specialized societies – hunter-gatherers, nomadic pastoralists, very early agriculture. Troops recruited on this basis arm, organize and largely recruit themselves, but these societies tend to be small, low population density and comparatively poor. Examples: Plains Native Americans, Steppe nomads, hunter-gatherer societies.
    • Warrior Class or Officer Class (specialized society with a dedicated fighting or military-leadership class): extremely common among complex agrarian societies, a military aristocracy of some sort is practically the default mode of leadership in such societies, but note that warrior-aristocrats and officer-aristocrats may have very different expectations of what that means. Often the fellows provide the leadership for otherwise employment-, entitlement- or clientage-based armies or alternately a core of specialist warriors around which such levies are grafted. Examples: Almost too numerous to provide – non-state Gallic aristocrats, medieval European knights and nobility, the Roman Senate (an ‘officer class’ example!), and so on.
    • Military Settlers (an imposed military aristocracy of fighters given land in exchange for future service): a fairly common solution for consolidating conquest (especially for societies which simply lack the bureaucratic infrastructure for direct governance), creating a new upper-stratum of military-aristocrats that are often ethnically distinct from the ruled. Examples: Macedonian military-settlers after Alexander’s conquests; the garrison-cities of the Rashidun Caliphate.
    • Military Slaves (a subordinate class of specialist warriors): a relatively uncommon and historically unstable system, but hardly an unknown one, heavily dependent on the availability of an ethnically distinct class of warriors available to be enslaved. Examples: Mamluks, Janissaries.
      • We might also put Prisoner Armies (recruitment as punishment for a crime) in this category. These tend to be somewhat more stable, but their military performance is not always stellar. Example: the armies of the Song Dynasty.2
  • The Clientage Principle (because it is an obligation they have towards social superiors)
    • Retainers and Clientage (little men have specific ties of loyalty to Big Men who can call them to arms): as far as I can tell, the primary way complex non-state societies raise military force. Because it relies on personal ties, it tends to stay fragmented. Examples: non-state Gaul and Spain, but also vassalage-based medieval polities.
    • Universal Military Service (little men owe military service to their lord, king or the state): common although rarely as universal or centralized as the name implies. Often takes the form of regional militias agglomerated into a larger army (examples: Carolingian select-levy, the Anglo-Saxon fyrd), but there are rare examples of truly mass conscription systems, particularly in China (examples: Warring States period, Qin Dynasty, early Han Dynasty).

What I hope emerges from this quick comparison is how sensitive these principles are to the structure of the underlying society: for most societies, the options whittle down to just a handful almost immediately. A fragmented state with a weak central bureaucracy will almost inevitably need to reply on military aristocrats, their retainers and clients because it hasn’t the revenues or the political structure for anything else, for instance. A society with specialized economic roles isn’t going to be able to set up as an ‘all warrior’ society and a society without specialized economic roles isn’t going to be able to use any other system. A society without a tradition of universal military service is going to have a hard time conscripting its peasantry and a society without a citizenship-like legal/political status is going to have a hard time recruiting on an entitlement basis. Likewise, if a society lacks a large warrior-aristocrat class, then it lacks a large warrior-aristocrat class and cannot recruit on that basis.

Next week, we’ll look at putting these principles into action, thinking about how armies are raised and paid for.

The Everlasting (Harrow)

Jun. 5th, 2026 08:19 pm
cahn: (Default)
[personal profile] cahn
So, more Hugo reading! So I just finished The Everlasting and I have Feelings and I have to talk about it. In fact, I unexpectedly had so many feelings that I then made the mistake of telling D about it. And you will all just have to suffer with me --

D: Is it about gobstoppers?
Me: No! It is not about gobstoppers!

-- the thing is, I had not been expecting all that much from it, having had previous experience not-intensely-negative-but-not-particularly-positive with Harrow Hugo reading, but I was pleasantly surprised to find the first quarter of the book more compelling than I'd thought it would be. Though I did have this sort of constant low-level irritation during that first quarter because -- well. It takes place as a secondary-world fantasy, taking place in a kingdom called Dominion, that's concerned with two time periods: what I have been calling the "modern era," which is a post-industrial, vaguely early-twentieth-century-feeling sort of place where the best and bravest young men are sent off to fight wars, remembering their semi-mythical founding myth... and the second time period is that distant 1000-year semi-mythical "past era," where there is a semi-mythical queen and her best-beloved knight, Sir Una the Everlasting, whose tragic death is instrumental in constructing the founding myth of the country.

And the thing is, it's probably not 100% obvious from that one-sentence description, but the "modern" era is extremely evocative of WWI-ish Britain what with the young men going off to war and coming back with shell shock and everyone keeping a stiff upper lip about it (except the protesters) and so on, and the "past" era is extremely evocative of Arthurian mythology, what with the once and future queen and the knights she gathers around her and the green hill and the sword in the stone tree that can only be unsheathed by the right person (although it's Una and not the queen who does it), and lots of mentions of a Savior (religion, though, is otherwise completely ignored except when it's useful for resonance), and so on --

D: Are there coconuts?
Me: No! There are no coconuts!

And it just so happens that I have an absolute crapton of feelings about Arthurian mythology (over many decades at this point) and also a whole lot of feelings about WWI Britain (many of which are rather more recent, but even if it weren't for recent media consumption, would have had some feelings about it from general cultural literacy and other media) and it was very clear that Harrow was cheerfully just using all that to make me have feelings about her characters/world, and I was rather annoyed about this because it felt to me like she got to exploit all the resonances without actually having to do any work to, well, actually think hard about the historical/mythical parallels she was exploiting, and also annoyed because, of course, it worked, because I do have quite a few feelings about all these things.

D: Is there a holy grail?
Me: ...yes. Yes, there is a holy grail. There actually is.
D, unfortunately now encouraged: Is there a holy hand grenade?
Me: NO! There is no holy hand grenade!!
D, a little later: Well, is there a Black Knight?
Me: ...kind of.

ANYWAY. The book starts out being narrated by Owen, who is an idealistic, nationalistic, conflicted young man, back from the wars and trying to make his way as a historian. He's also obsessed with Sir Una Everlasting and her story in not all that different a way than the way I was obsessed with all things Arthurian as a kid/adolescent, though rather more shippily. So due to plot reasons, Owen goes back in time to meet Una herself, and is with her on her last quest to find the holy grail (no really) and then goes back with her to what he knows will be her death; his role is to be the one who chronicles her quest and her death.

Me: See, the idea is that he's kind of a Malory figure --
...wait. His last name is literally Mallory. GAH.
D: *laughs at me*

Then I got past the first quarter mark, and it abruptly got both quite a bit more compelling to me -- so I didn't mind the above appropriation nearly as much (plus, by that time it had done its work), and also I started feeling very baffled by exactly how much it was giving off increasing vibes of being a really compelling shipfic. The thing is. I've actually spent quite a bit more time than usual in the last couple of months reading and thinking about fanfic, especially shipfic, for Reasons, and in particular thinking about what I seek out when I seek out fanfic, and what I want to see in a fanfic, and how to create the effects of a shippy fic I would like, and... this book is doing... a LOT of that.

For one thing, it's just piling on tropes on top of tropes (weak geeky man with strong tough woman, mutual pining, competence kink, loyalty kink, fealty kink, road trip, pulling back from betrayal, not pulling back from betrayal, hurt/comfort of course, lack of sleep, protection, nightmare comforting, bathing together, the list goes on, at one point there's even freaking Must Huddle Together For Warmth). And it's deeply satisfying to me because these are all tropes I eat up with a spoon.

And the ship is really very much a fanfic kind of ship, where we sort of assume we're starting out with UST between the two main characters and just building from there. (There are a couple of in-universe reasons for this, starting (but not finishing) with Owen's lifelong obsession with Una, but, like. The vibe!!) And over-the-top UST that goes on for quite a while is something that I am just really really fond of for shippy tropey fics. (Look, my fandom genesis included The X-Files, okay?)

Me: So by the 50 percent mark I was feeling kind of desperate for them to just have sex already.
D: ...uh, okay.

-- and the whole thing was doing this very fic thing of really just being there for the tropes and resonances. Worldbuilding, yeah, fine, great, as long as it reinforces the tropes! And yeah, this was sort of one thing about this book: I was never entirely convinced, I think, that the world existed outside of where the characters happened to be at the time... partially because it had borrowed so much from our world. (There was a bit more unique-worldbuilding near the end, as there sort of had to be.) But it didn't really matter!

Character development, sure! As long as it reinforces the tropes, which means a lot of dwelling on the three main characters. I do think it's a natural tendency, mind you, especially in a shipfic, to really limit the number of people who have major roles in the fic, because each successive character means more interaction and more inner life that has to be constructed, and anyway you mostly just care about the ship and maybe the antagonist, sure. But I'm kind of amazed that Harrow wrote a whole novel in which there are three actual characters. And there are three more characters who do get screen time and whom I love very very much (Owen's dad -- does he even ever get a name??; Owen's long-suffering thesis advisor; Ancel -- the three of them are probably my favorite characters, in fact) but they do seem to me to have this aura of being taken a little for granted.

It also sort of reminded me of, you know, how you get these >100k fics in a fandom where it's really basically doing the same thing multiple times, or playing with the same fandom dynamic multiple times and stretching it out in ways that it didn't necessarily really have to, and the readers love it, because that's what we're here for. Right up to doing basically the same scene from two different POVs. (Again, there is an in-universe reason, but... very fic vibes, is all I'm saying!)

I believe this explains why I've been seeing such differing opinions of the book on my DW list -- because if you really like the particular tropes Harrow is piling on, you're probably going to be deeply satisfied by it regardless of whether you might have other issues (me, this is me), and if those tropes don't do much for you you're going to be like "what was even the point of that?" and if you like the tropes just fine but aren't particularly into them, the issues might bother you more.

spoilers! )

Anyway. In conclusion, if you like a particular kind of tropey fic, then I think you will really love this book! Also it has more things to say about nationalism and national myths and fate and heroism and so on than I have really talked about here! I am just here for talking about shipfic, I guess.

D: I still think it should have been about gobstoppers.
Me: NO it should not have been about gobstoppers!!

(no subject)

Jun. 5th, 2026 09:57 pm
skygiants: the aunts from Pushing Daisies reading and sipping wine on a couch (wine and books)
[personal profile] skygiants
In addition to all the Perns, I have also been reading some non-Pern McCaffreys! At this point this includes:

The Ship Who Sang, in which a young woman gains beyond-human powers through being indentured to a corporation which provides her with wealth and status while simultaneously keeping her locked in endless responsibility and debt, loses the thing she cares about most in the world, and desperately seeks a life partner, eventually finding one in her manipulative boss

Crystal Singer, in which a young woman loses everything she cares about in the world, gains beyond-human powers through being indentured to a corporation which provides her with wealth and status while simultaneously keeping her locked in endless responsibility and debt, and, despite not seeking a life partner, nonetheless enters into a romance with her manipulative boss

The Rowan, in which a young woman with beyond-human powers loses everything she cares about in the world, gets indentured to a corporation which provides her with wealth and status while simultaneously keeping her locked in endless responsibility and debt, and desperately seeks a life partner, eventually finding one in the guy who at the end of the book succeeds to the position held by her manipulative boss

Obviously all of these books have their own unique points of distinction:

The Ship Who Sang kicked off generations of what-if-a-girl-was-a-ship stories and also generations of disability-in-SF conversations; it is also IMO one of the most interesting of McCaffrey's structural experiments, being composed of short stories that do generally work well as short stories, while creating a coherent and connected character arc for Helva across the whole set. Also: women! Helva gets to partner with women! Does she want to partner with women? Absolutely not. She wants a hot guy, or, failing that, a weird little manipulative boss who's obsessed with her. But nonetheless while waiting for her inevitable manipulative bossmance she has some interesting women thrust upon her, which I appreciate even if she does not.

The Rowan is the latest, structurally the weakest, and I think perhaps generally the worst of these books ... Killashandra has a bad personality and it's charming, but the Rowan's bad personality mostly comes out in the context of being a bad boss within her devil's-bargain corporation, which is less charming. Also there's sort of a halfhearted attempt at an evil aliens are attacking plot but the evil aliens take up approximately ten (10) whole pages of the book because McCaffrey finds them much less interesting than the Rowan's boyfriend, who is of course destined for her because he's the only hot guy telepath who's more powerful than she is. Anyway, the funniest part about this book is the fact that the Rowan gets a telepathic cat in the first section, and because everyone loves a telepathic cat the telepathic cat is on the front cover of the book, but then Anne McCaffrey is like 'yeah but she left the telepathic cat on the spaceship the first time she left home, they weren't actually that tight' and the telepathic cat is never mentioned again.

Crystal Singer is notable for the fact that Killashandra -- in addition to being a failed opera singer who has to pivot to harvesting addictive crystal with the power of her voice -- is the meanest and most self-interested McCaffrey heroine and also the one who has the most casual sex. A real delight to go from Avril Bitra in Dragonsdawn to Killashandra, who has all of Avril Bitra's traits except she's protagonist-shaped so instead of performing sexy torturemurder and getting fired into the sun, she reluctantly saves the life of a guy who hates her, complaining about it all the way. God bless! Has the most opportunities not to enter into a devil's bargain with a corporation to become a protagonist, and also has arguably the worst devil's bargain of the lot (crystal singing rots your brain! creepy!) and so I think is in many ways central to the Corporate Devil's Bargain thesis of it all: the subtext of The Ship Who Sang and The Rowan is that yes, the devil's bargain Is worth it, but Crystal Singer holds it up defiantly and makes it text. Yes, you were probably manipulated into it, and yes, it's going to end in tragedy, but look how cool you are now!

This all also sort of makes me look a certain way at Lessa, the OG bad personality heroine herself, and her arc in Dragonflight. It's more obviously a devil's bargain when it's a Big Corporation and not a cool dragon that loves you unconditionally -- but what are all these sexy manipulative bosses, except proof that Big Corporation actually loves you unconditionally? And yes, you were manipulated into it. No, you can't leave now that you've done it. Yes, the institution takes away your agency, by design, but broadly speaking, it's a benevolent institution -- or at least, society can't do without it. Anyway, now that you're part of this institution, you are now the coolest person in the world; everyone needs you, admires you, loves you, and you're happier than you've ever been. Of course it was worth it!

Scrivener themes!

Jun. 5th, 2026 06:55 pm
sineala: Mac laptop whose Apple logo has no bite (Young Wizards reference); text reads "my other Mac is a manual" (Young Wizards: My Other Mac)
[personal profile] sineala
While I have the brain energy, I figured I would repost a useful resource for my fellow writers using Scrivener, namely that someone on the r/scrivener subreddit has made dozens of free Scrivener themes for both Mac and Windows versions of Scrivener, if you would like to change up the color scheme of Scrivener a bit. (There's also a guide to Scrivener's Compile system there, if you need one.)

As a Mac user, this is exciting, because the Mac and Windows themes for Scrivener are not cross-compatible and I am pretty sure that every other Scrivener theme I have ever seen available for download is for the Windows version. But these come in Mac versions too! Now I can finally have a selection of pretty colors to choose from!

(This is also doubly exciting because the person who was making them was taking suggestions as they were posting them in packs to the subreddit and I asked if they could please make a version of the Cobalt2 IDE theme and they made a Cobalt2 IDE theme! For me! It's pretty great. I understand that not everyone wants Scrivener to look like their favorite VSCode or JetBrains theme, but I love this theme a lot, so.)

:(

Jun. 6th, 2026 12:32 am
dhampyresa: (Default)
[personal profile] dhampyresa
I am very saddened to hear of Marjane Satrapi's death.

May 2026 Newsletter, Volume 211

Jun. 5th, 2026 02:18 pm
[syndicated profile] ao3_admin_posts_feed

Banner of a paper airplane emerging from an envelope with the words 'OTW Newsletter: Organization for Transformative Works'

I. SPOTLIGHT ON OPEN DOORS

Open Doors is preparing to import ArtisticAlley, the last FictionAlley house. Unfortunately, they've only been able to retrieve thumbnail versions of the artworks. They're currently asking creators if they can provide copies of the full versions. If you're an ArtisticAlley creator and can provide your full artworks—or would like Open Doors to do anything other than import the thumbnail copies—please check your emails and reply, or get in touch with Open Doors directly. They will begin importing after 30 June.

In May, Open Doors also announced the import of multifandom fanfiction archive Mediafans and its hosted Duncan/Methos zine Futures Without End. They also completed the semi-automated portion of the import of HBO Oz archive Unit B, with more works being imported manually in the coming months. These additional works comprise Big Bang fics, the Unit B Yahoo Group, and the Cellblock 5 Yahoo Group. Thank you to everyone on Open Doors' technical and administrative teams who contributed!

II. ARCHIVE OF OUR OWN

Accessibility, Design & Technology worked on more security updates as well as quality-of-life bug fixes and AO3 internationalization work. Thank you to the coders for those fixes and to the testers for helping with swift releases! They also published release notes for March.

In April, Policy & Abuse (PAC) received 4,358 tickets. PAC also worked with Communications to publish a news post spotlighting ways to keep your AO3 account secure as part of World Password Day. Also in April, Support received 4,325 tickets. User Response Translation completed 77 requests from PAC and Support.

Tag Wrangling wrangled over 638,000 tags in April, or approximately 1,300 tags per wrangling volunteer. They also collaborated with Communications to publish a Tumblr post about a new Avatar: The Last Airbender fandom metatag and a news post announcement of 21 new "No Fandom" tags.

III. ELSEWHERE AT THE OTW

Fanlore celebrated Public Domain Fandoms, or Public DoMay, on their socials all throughout the month! Check out their Bluesky, Tumblr, and Twitter/X for fun featured articles and posts.

Their annual Bingo Challenge also will begin on June 16 and will end June 29! It's open to new and experienced editors alike, and everyone is encouraged to join in!

Legal continues to answer internal and external questions and monitor the changing legal situation for privacy and free speech.

TWC continued to work on their planned issues related to Music Fandom and Latin American Fandoms. May was the deadline for nominations for the Fans of Color Research Prize, which recognizes the best article about fans and/or fandoms of color published in TWC. The next issue will be a general issue published in September.

IV. GOVERNANCE

Elections continues to prepare for the 2026 OTW Board of Directors election, which will fill four seats (three full term seats and one partial term seat).

If you'd like to vote this year, you must become an OTW member by June 30. To become a member, you must donate at least $10 USD in one donation and check the yes circle under "Do you want to be an OTW member?" on the donation form.

Board, Board Assistants Team, and Organizational Culture Roadmap spent the month collaborating on projects, including sharing the Code of Conduct draft for review from OTW volunteers and working on tasks related to closing out the OTW Crisis Management Plan project.

Finance completed the audit of the OTW's 2024 financials and began preparing our 2025 financials to be audited.

Development & Membership worked on wrap up from the April Membership Drive and began thinking ahead to the next one in October.

V. OUR VOLUNTEERS

In May, Volunteers & Recruiting opened recruitment for four roles for the Fanlore, Communications, and Open Doors committees.

From April 22 to May 23, Volunteers & Recruiting received 202 new requests, and completed 177, leaving them with 70 open requests. As of May 23, 2026, the OTW has 1,040 volunteers. \o/ Recent personnel movements are listed below.

New Communications Volunteers: 2 Event Coordinators and 1 Fanhackers Volunteer
New Open Doors Volunteers: 1 Senior Technical Advisor and 1 Digital Collections Intern
New Policy & Abuse Volunteers: Arashi, Bellis, Citrine, lazyredheeler, Rika G, SaltDove, ZoeT, and 3 other Volunteers
New User Response Translation Volunteers: 1 Translator

Departing Committee Chairs/Leads: 1 Policy & Abuse Chair and 1 Organizational Culture Roadmap Head
Departing Communications Volunteers: 1 Fanhackers Lead and 2 Convention Specialists
Departing Fanlore Volunteers: 1 Gardener
Departing Finance Volunteers: 1 Financial Analyst
Departing Open Doors Volunteers: 1 Senior Technical Volunteer and 1 Import Assistant
Departing Policy & Abuse Volunteers: 1 Volunteer
Departing Tag Wrangling Volunteers: Allonym and 15 other Tag Wrangling Volunteers
Departing Translation Volunteers: Katarina Hjarpe and 1 other Translator
Departing Volunteers & Recruiting Volunteers: 1 Volunteer

For more information about our committees and their regular activities, you can refer to the committee pages on our website.


The Organization for Transformative Works is the non-profit parent organization of multiple projects including Archive of Our Own, Fanlore, Open Doors, OTW Legal Advocacy, and Transformative Works and Cultures. We are a fan-run, donor-supported organization staffed by volunteers. Find out more about us on our website.

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