Recent reading
Apr. 4th, 2024 09:36 pmI went through my DW circle and unfollowed some people that I probably followed in friending memes at some point, but that I then haven't interacted with at all. But going through that list also made me a little melancholy: there are so many people there that I used to be friends with, who are now just gone. : ( I wonder what they're doing now?
Couching at the Door by D K Broster (1942)
Broster’s collection of stories that are dark/weird/creepy/supernatural. Some of these also appear in her other story collection A Fire of Driftwood, which I had read before. This is not a genre that I read much in otherwise, so I don't have much comparison, but I quite liked these stories. Broster’s prose is as enjoyable as usual, and it's interesting to see her apply it to other subjects than historical novels. I was wondering what she would do with the Persephone story, but that was one of my least favorite stories--it only very tangentially touched on the myth, or perhaps I was just too dense to get it.
The Catalans by Patrick O’Brian (1953)
I was wondering what O'Brian wrote when he wasn't writing boat books. This is a contemporaneous story set on the same stretch of coast near the border between France and Spain that Hornblower blasted with cannons in A Ship of the Line; apparently O'Brien lived there for a long time. I like his writing style, and the setting is vividly drawn in a way I admire and enjoy, but on the whole I didn't enjoy this like I do the Aubrey/Maturin books. It just doesn't have the same warmth, and I didn't connect with the characters the same way.
Couching at the Door by D K Broster (1942)
Broster’s collection of stories that are dark/weird/creepy/supernatural. Some of these also appear in her other story collection A Fire of Driftwood, which I had read before. This is not a genre that I read much in otherwise, so I don't have much comparison, but I quite liked these stories. Broster’s prose is as enjoyable as usual, and it's interesting to see her apply it to other subjects than historical novels. I was wondering what she would do with the Persephone story, but that was one of my least favorite stories--it only very tangentially touched on the myth, or perhaps I was just too dense to get it.
The Catalans by Patrick O’Brian (1953)
I was wondering what O'Brian wrote when he wasn't writing boat books. This is a contemporaneous story set on the same stretch of coast near the border between France and Spain that Hornblower blasted with cannons in A Ship of the Line; apparently O'Brien lived there for a long time. I like his writing style, and the setting is vividly drawn in a way I admire and enjoy, but on the whole I didn't enjoy this like I do the Aubrey/Maturin books. It just doesn't have the same warmth, and I didn't connect with the characters the same way.
(no subject)
Date: 2024-04-04 08:50 pm (UTC)(no subject)
Date: 2024-04-05 07:43 pm (UTC)(no subject)
Date: 2024-04-04 09:23 pm (UTC)I know what you mean. I tend to assume they're on tumblr or Discord, but I'm sure some must have drifted out of fandom. :-(
(no subject)
Date: 2024-04-05 07:44 pm (UTC)(no subject)
Date: 2024-04-05 07:48 pm (UTC)I also miss so much lively conversation
Date: 2024-04-04 09:41 pm (UTC)...and yet I'm not hosting it at my journal.
Ah well. Most of my generation (I'm 68-1/2) is on Facebook.
Re: I also miss so much lively conversation
Date: 2024-04-05 07:44 pm (UTC)(no subject)
Date: 2024-04-05 04:55 pm (UTC)'The Taste of Pomegranates' is a really weird one! I found it compelling in how vividly Broster just goes with all the weird ideas—archaeology, time travel, literal cave bears—and I don't especially care about the Persephone myth as such, but if you were expecting a take on the myth it would be a bit disappointing. What were your favourite stories in the collection?
(no subject)
Date: 2024-04-07 12:55 pm (UTC)Anyway! Like you said elsewhere, The Pavement was quite good, with the obsession that led the main character to destroy what she loved rather than let someone else have it--and yes, it does have femslash potential. In Couching at the Door, I didn't like the main character (nor was I intended to), but it was a such a well-drawn portrait of a pretentious man, and the fur boa that just wants to follow him around and snuggle him was so vivid. From the Abyss had an interesting premise, but I never quite connected to the characters. OTOH, in The Promised Land it was creepily easy to sympathise with Ellen, murdering her overbearing cousin who is ruining Italy for her! I liked The Window, with its ties to Broster's French history interests, but rolled my eyes at the last line.
(no subject)
Date: 2024-04-08 08:51 am (UTC)'The Promised Land' is so brilliantly chilling. I really like seeing Broster's writing style and talents employed in such a different way from what she usually does in the historical novels, and it's cool to see her bringing her favourite historical stuff into that as well, though I agree about the last line of 'The Window'.
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Date: 2024-04-05 11:12 pm (UTC)(no subject)
Date: 2024-04-07 12:56 pm (UTC)(no subject)
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Date: 2024-04-07 12:59 pm (UTC)(no subject)
Date: 2024-04-12 07:28 pm (UTC)I also enjoyed Couching at the Door recently, though I felt like I was enjoying the quality of the prose much more than the spookiness or creepiness. I wasn't expecting so many of the stories to have happy endings, with the supernatural elements quite easily dealt with!
(no subject)
Date: 2024-04-13 07:56 am (UTC)Me too! In general I'm not a horror fan, and so I also don't have much knowledge of the expectations of the genre.